Alumni

The program includes compositions by Sergei Prokofiev, Mieczyslaw Weinberg, and Dmitri Shostakovich. Please visit the event website for full details and ticket information.

#Undergraduate #FacultyStaff #Alumni #Arts #Music

Join us in celebrating the 40th anniversary of our Center, the nation’s first research center for early modern studies. The program features a talk presented by UCLA Professor of English Helen Deutsch, who served as the Director for a four year-term from 2017 to 2020. Following the talk, guests are invited to mingle with friends and colleagues, add a message to the 40th anniversary Padlet, view a display of Center & Clark ephemera and a slideshow, and enjoy a reception on the terrace.

#Educational #Research

Join the Bruin Resource Center for an afternoon of connection and community! Meet BRC programs and campus partners, journal your intentions for the year, create a vision board, enjoy snacks and refreshments, and participate in bingo and giveaways. October 5 | 1–4 PM | Student Activities Center, B44, USP, BRC, SAC RM 1-3

The Berry Gordy Music Industry Speaker Series celebrates the 30th anniversary of Stones Throw Records with founder, DJ, producer, and label visionary Peanut Butter Wolf (Chris Manak). Founded in 1996, Stones Throw has built an influential independent music community by championing distinctive voices and music that crosses the boundaries of hip-hop, soul, funk, jazz, electronic music, and beyond. The conversation will explore three decades of independent music-making, artist development, creative risk-taking, and building a record label guided by curiosity and a commitment to the art of music making as well as the label’s upcoming three-day, 30th Anniversary, music festival in Highland Park where the label’s past, present, and future will come together for an all-ages outdoor extravaganza of over 30 artists.

@ Take 20 minutes in your day to enjoy much-needed relaxation and calm. When registering, please enter “UCLA” under “organization.” Monthly meditation is led by Michal Rinkevich (MBA ’14) who has been practicing healing arts and meditation since 1995 and teaching since 2006. ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join in a peer-led discussion on a spooky book for Halloween. This month’s title is “The Secret History,” by Donna Tartt. Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil. (from GoodReads) ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: Archive Television Treasures In person: Q&A with actor Sharon Gless, executive producer Barney Rosenzweig. Made possible by the John H. Mitchell Television Programming Endowment Cagney & Lacey aired on CBS from 1982–1988, immediately elevating the episodic police genre with its remarkable style and substance. Starring Tyne Daly as Mary Beth Lacey and Sharon Gless as Christine Cagney, the show, throughout its tenure, received numerous Emmy nominations and several awards honoring its lead performers, writers, directors and the series itself. Accompanied by an outstanding supporting cast, Daly and Gless triumph as detective partners and best friends who navigate the ethics and perils of law enforcement and confront the complexities of 1980s feminist politics through the microcosm of the New York City police force. Writing partners Barbara Avedon and Barbara Corday, and executive producer Barney Rosenzweig, were moved to action by Molly Haskell’s book, From Reverence to Rape: The Treatment of Women in the Movies, and Haskell’s critique of the film industry’s refusal to take seriously women “buddy” pictures. Cagney & Lacey was first conceived of as a feature film script in 1974. CBS initially produced the material in 1981 as a television movie; after many fits and starts, in 1982 the series was launched. From its inception, the show generated debate and controversy around the representation of women on television and the series’ commitment to grounding storylines in topical subjects including abortion, alcoholism, rape, sexual harassment and criminal justice. While CBS executives were threatened by the concept of a dramatic series centered on two women detectives, a strong and dedicated female viewership was vocal in its appreciation for long overdue complex women characters. Join us for a celebration of Cagney & Lacey with series stars Tyne Daly and Sharon Gless and executive producer Barney Rosenzweig in person. Following the screening, there will be a conversation moderated by Archive Research and Study Center Officer Maya Montañez Smukler. Update: Please note that Tyne Daly is no longer able to join for this program. Program notes by Archive Research and Study Center Officer Maya Montañez Smukler.

#Arts #MovieFilm

@ Reconnect with fellow Bruins at a casual UCLA Alumni Happy Hour! Enjoy great conversation, expand your local network, and build new connections with UCLA alumni in the community. Whether you’re a recent graduate or a longtime Bruin, we’d love to see you there. UCLA alumni and friends are welcome. Go Bruins! ### [Central Valley Network](https://alumni.ucla.edu/organizer/central-valley-network/) [View Organizer Website](https://alumni.ucla.edu/network/central-valley-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Kick off the new academic year with USP! Join us for our annual USP Welcome to connect with fellow students, meet the USP team, build community, and learn more about the resources and support available to you throughout the year.

#Educational

You are invited to the UCLA Institute of American Cultures (IAC) annual Fall Forum, featuring 2026–27 Postdoctoral Scholars and center representatives from UCLA’s four ethnic studies research centers. This virtual event will feature a live Q&A.

#Educational #Research

Are you looking for a safe and supportive space to practice your English conversation skills? Check out Dashew Center's English Language Circle (ELC). Here you will have an opportunity to practice your English with other language learners. The circle is led by a native English speaker, who will help you become more confident in your speaking skills and who can answer your language and grammar questions.

#Social #Community

@ Four alumni communities, one room during #SFTechWeek. The Bay Area alumni clubs of NYU, Harvard, Boston University, and UCLA are co-hosting an evening for alumni working in and around AI. The evening will feature a focused 40-minute panel with operators deploying AI agents in industries that are often underrepresented in the broader AI conversation, including hospitality, consumer products, and CPG. Panelists will share candid insights into what is working in practice, what has fallen short, and how organizations are addressing accountability when AI-powered software takes action. Following the panel, attendees will have the opportunity to connect with alumni from across all four universities over light snacks and drinks. Agenda Doors open: 6:00 pm Panel discussion: 6:40 pm Event concludes: 8:45 pm This event is free to attend. Attendance is limited, and advance registration is required. Members of the UCLA community may request a seat. All requests will be reviewed by the event hosts, and attendance is not confirmed until a confirmation is received. This event is part of #SFTechWeek, a week of events hosted by venture capital firms and startups that brings together members of the technology ecosystem. Learn more at [www.tech-week.com](http://www.tech-week.com). ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

This talk will offer an author’s view on the key theoretical, methodological and historical concepts that form part of his book, Acoustic Colonialism: Acts of Mapuche Interference (Duke UP, 2025).

#Educational #Research

Lisa Lowe’s groundbreaking book Immigrant Acts: On Asian American Cultural Politics made Asian American gendered radicalization central to understanding the relationship of state, capital, and culture. This 30th anniversary symposium traces its profound impact on a broad and sometimes unexpected set of debates across disciplines, geographies, and generations.

#Educational #Research

Enjoy a live performance by Ritmo Vivo, music, a campus resource fair, and remarks from UCLA leadership! Food and refreshments will be provided. Free and open to all.

#Educational #Research

In Beyond Dreamers: Transitions to Adulthood in an Uncertain Age (Russell Sage Foundation, 2026), coauthors Sofya Aptekar and Amy Hsin use a life course perspective to examine experiences of illegality among a diverse group of undocumented young adults in New York City. Veronica Terriquez, CSRC director, will serve as the discussant.

#Educational #Research

On the 100th anniversary of John Coltrane’s birth year, The UCLA Herb Alpert School of Music’s global jazz studies program will celebrate this giant of the saxophone, this jazz innovator and spiritual/artistic icon of the Black Arts Movement, this patron saint of avant garde. This symposium will honor Coltrane in words. The keynote address will be delivered by  Archbishop Franzo King, co-founder of the Saint John Coltrane African Orthodox Church. The keynote address in addition to remarks by the archbishop will feature music from members of the church. Symposium Schedule Opening remarks Salim Washington   Panel 1 (2:10 pm) Moderator Steve Loza Andy Beta, “Infinity as Autobiography”: Alice Coltrane’s Reimagining of John Coltrane’s Late Recordings” Beta examines the critical reception of Alice Coltrane’s Infinity recording, and the ways in which the recording reflected upon her development as an artist. Nadia Milad Issa, “Saint Coltrane, the Dance Eulogy, and the Spirit Veil, ‘A Love Supreme’ as Ancestral Mediation”. This paper positions Coltrane’s canonization b the St. John Coltrane church not as an isolated action of Bay Area devotion but as a template for choreographic and religious practice alike: testimony converted into ritual, grief converted into repeated form. Martin Hundley, “Alice Coltrane, Sound of Free Universe: Performance Practice, Technology, and Feminist Epistemology” This paper explores the ways in which Alice Coltrane’s musical sound and instrumental performance practice expresses the complexity of her identity, world view, spirituality, and travels, both geographically and temporally. Hundley employs and ethnographic and musicological approach to Coltrane’s recording Translinear Light.   Special Guest Speaker (3:40 pm)     Panel 2 (3:50 p.m.) Moderator Regina Carter-Garnett Scott B. Spencer, “Meme and Variations: How Video Mashups of John Coltrane’s ‘Giant Steps’ Became a Thing” The intent of this study is to explore John Coltrane’s online legacy, use it to expand our field’s toolset to better deal with digital texts, and to tease out their various cultural contexts. Aaron J. Johnson, “Africa/Brass and the Communal Experience of Engaging the Music of John Coltrane” With the vision of Reggie Workman and Charles Tolliver Africa/Brass has afforded the uncommon opportunity for musicians to communally share the experience of performing Coltrane’s music and invoking his spirit. John-Carlos Perea, “Versions as Relations: Naima, John Coltrane, and Jim Pepper” This paper considers the original 1959 recording of “Naima” and the subsequent versioning of it by Jim Pepper as a sonification through which to amplify Pepper’s relationship to Coltrane via Pepper’s experiences through Southern Plains Intertribal powwow musical practices.   Keynote Address (5:20 pm) Archbishop Franzo King and members of the African Orthodox Church of John Coltrane “The Continued Relevance of John Coltrane” Theodore A. Harris, Coltrane’s Thunderclap, 1998, paper collage. 11X17in   ABOUT THE ART WORK Theodore A. Harris, Coltrane’s Thunderclap. 1998, paper collage, 11×17 in. Theodore A. Harris (1966-) is a Philadelphia-based visual artist and poet. His work has been exhibited nationally and internationally and is in private and public collections such as Libraries and Museum University of Delaware, Fort Garland Museum and Cultural Center, University of New Mexico Art Museum, Saint Louis University Museum of Art, La Salle University Art Museum, Pennsylvania Academy of the Fine Arts, McGill University Visual Arts Collection, Center for Africana Studies; University of Pennsylvania, Kislak Center Rare Books and Manuscript Library; University of Pennsylvania, and the Petrucci Family Foundation Collection of African American Art, and the Winston and Carolyn Lowe Collection. Harris is the co-founder of the Anti-Graffiti Network/Philadelphia Mural Arts Program. Harris has also co-authored and authored books including Our Flesh of Flames (2019), Malcolm X as Ideology (2008) with Amiri Baraka, TRIPTYCH with Amiri Baraka and Jack Hirschman (2011), i ran from it and was still in it with Fred Moten (2007), and Thesentür: Conscientious Objector to Formalism (2017). He is the Founding Artistic Director of the Institute for Advanced Study in Black Aesthetics. LEARN MORE: THEODORE A. HARRIS – Home

NCR XVs Premier League

@ **Join Daily Bruin alumni for another Daily Bruin Alumni Network Reunion!** The day will kick off at Kerckhoff Hall where you can visit the newsroom. Throughout the day, enjoy panels hosted by Daily Bruin alumni, **reconnect with old classmates**, meet the current Bruin staff and enjoy a light lunch. We hope this will be a great opportunity to network, **make new friends**, and **learn more about the current state of the Daily Bruin** and DBAN. In the evening, join DBAN alumni at the James West Alumni Center for a **cocktail hour and dinner** which will **highlight alums from the 1970s** as we note the 50th anniversary of the graduation of the Class of 1976. In addition, the 2026 Alumni of the Year: Patrick Healy ’76 and Jeong Park ’17 will be recognized for their extraordinary careers and contributions to the UCLA community. _If you are interested in attending but are unable to due to the cost of the ticket, please reach out to Marilyn Chavez-Martinez at **[chavez.marilyn50@gmail.com](mailto:chavez.marilyn50@gmail.com?subject=)**._ **Pricing** Daytime Activities **ONLY** — **Free** Evening Cocktail Party and Dinner **ONLY** — $75 Daytime Activities **AND** Evening Cocktail Party and Dinner — $75 ### [Daily Bruin Network](https://alumni.ucla.edu/organizer/daily-bruin-network/) [View Organizer Website](https://alumni.ucla.edu/network/daily-bruin-alumni-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ American Indian Alumni of UCLA’s 2026 Fundraiser. More information forthcoming. Stay tuned! TBA ### [American Indian Alumni of UCLA](https://alumni.ucla.edu/organizer/american-indian-alumni-of-ucla/) [View Organizer Website](https://alumni.ucla.edu/network/american-indian-alumni-of-ucla/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join fellow Bruins in the Santa Clarita Valley for a casual Saturday morning coffee meetup! Grab a coffee, meet other local UCLA alumni, and hang out with fellow Bruins. No agenda, just a relaxed morning together. Attendees can purchase food/drinks on their own. ### [Santa Clarita Valley Network](https://alumni.ucla.edu/organizer/santa-clarita-valley-network/) [View Organizer Website](https://alumni.ucla.edu/network/santa-clarita-valley-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join us as we cheer on UCLA Football! The bar has agreed to the following specials: 1. $6 Draft Beer 2. $30 Bucket of Beers (5 bottles in a bucket) 3. $10 Pizza & $15 Wings ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join us as we cheer on UCLA Football! ### [Channel Islands Network](https://alumni.ucla.edu/organizer/channel-islands-network/) [View Organizer Website](https://alumni.ucla.edu/network/channel-islands-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join us as we cheer on UCLA Football! ### [Washington, D.C. Area Network](https://alumni.ucla.edu/organizer/washington-d-c-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/washington-dc-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Celebrate a pair of retrospectives featuring two prolific and trailblazing abstract artists, Huguette Caland and Mavis Pusey, with galleries open late and music in the courtyard. Food and drink will be available for purchase all night. This event is free and open to the public. Learn more here: https://hmmr.buzz/fallcel26

#Arts #Art

@ Join the Chicago Network as we cheer on UCLA football! ### [Chicago Network](https://alumni.ucla.edu/organizer/chicago-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join the Orange County Regional Network as we cheer on UCLA Football! ### [Orange County Network](https://alumni.ucla.edu/organizer/orange-county-network/) [View Organizer Website](https://alumni.ucla.edu/network/orange-county-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join us as we cheer on UCLA Football! ### [Pittsburg Alumni](https://alumni.ucla.edu/organizer/pittsburg-alumni/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Eclectic jazz musicians come together to honor John Coltrane: jazz innovator, spiritual icon of the Black Arts Movement and patron saint of the avant-garde. Meditations/Infinity comes to UCLA’s historic Schoenberg Hall. Featuring Camille Thurman-Greene Quartet String Quintet (Juliette Jones) Frank Lacy Quintet   Featuring: Frank Lacy, trombone, trumpet, French horn; Salim Washington, flute, tenor sax, oboe; Johnathan Blake, drums; Yayoi Ikawa, piano with special guests: Hitomi Oba, tenor saxophone; Jacques Lesure, guitar; Steve Loza, trumpet; Cheryl Keyes, flute; Regina Carter-Garnett, violin   Theodore A. Harris, Coltrane’s Thunderclap, 1998, paper collage. 11X17in   ABOUT THE ART WORK Theodore A. Harris, Coltrane’s Thunderclap. 1998, paper collage, 11×17 in. Theodore A. Harris (1966-) is a Philadelphia-based visual artist and poet. His work has been exhibited nationally and internationally and is in private and public collections such as Libraries and Museum University of Delaware, Fort Garland Museum and Cultural Center, University of New Mexico Art Museum, Saint Louis University Museum of Art, La Salle University Art Museum, Pennsylvania Academy of the Fine Arts, McGill University Visual Arts Collection, Center for Africana Studies; University of Pennsylvania, Kislak Center Rare Books and Manuscript Library; University of Pennsylvania, and the Petrucci Family Foundation Collection of African American Art, and the Winston and Carolyn Lowe Collection. Harris is the co-founder of the Anti-Graffiti Network/Philadelphia Mural Arts Program. Harris has also co-authored and authored books including Our Flesh of Flames (2019), Malcolm X as Ideology (2008) with Amiri Baraka, TRIPTYCH with Amiri Baraka and Jack Hirschman (2011), i ran from it and was still in it with Fred Moten (2007), and Thesentür: Conscientious Objector to Formalism (2017). He is the Founding Artistic Director of the Institute for Advanced Study in Black Aesthetics. LEARN MORE: THEODORE A. HARRIS – Home

@ Join fellow Bruins for football, brunch, and community as UCLA takes on the Oregon Ducks in a key Big Ten road matchup. Come cheer on the Bruins with fellow alumni, fans, family, and friends while enjoying Bruin camaraderie. Go Bruins! ### [South Bay Network](https://alumni.ucla.edu/organizer/south-bay-network/) [View Organizer Website](https://alumni.ucla.edu/network/south-bay-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ This bar is located in the Cannery Row area of Monterey. Free parking is available above Lighthouse Ave and you can walk down. Metered parking is available on Foam St for $1.75 per hour. Metered parking is also available on Wave St for $2.00 per hour if you can find it. There is also parking in the big Cannery Row Parking Garage but it is between $15 and $22 depending on when you drive in. Wherever you park, read the signs carefully!! ### [Monterey Area Network](https://alumni.ucla.edu/organizer/monterey-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/monterey-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

The program includes compositions by Johannes Brahms, Arnold Schoenberg, and Franz Schubert. Please visit the event website for full details and ticket information.

#Arts #Music

@ Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn’t on our own. We would love to have you join us. All are welcome! October: The Talented Mr. Ripley by Patricia Highsmith. Please email bkronbeck@social.rr.com to be added to the waitlist for the South Bay Book Club. ### [South Bay Network](https://alumni.ucla.edu/organizer/south-bay-network/) [View Organizer Website](https://alumni.ucla.edu/network/south-bay-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

UCLA Department of Anthropology Discourse Lab Colloquium welcomes everyone to our Indigenous People's Day celebration. We will be hosting an informal roundtable discussion with faculty members from across the University who do language teaching, documentation, and reclamation work in Indigenous communities.

#Educational #Research

@ The Current UCLA Latinx Students Town Hall creates a space for current Latinx students to share their experiences, perspectives, needs, and aspirations directly with the UCLA Latino Alumni Association (ULAA). The conversation will help ULAA better understand how it can support students through mentorship, professional development, community building, advocacy, and connections with alumni. The town hall also provides students with an opportunity to build relationships with alumni and help shape ULAA’s future priorities and programs to ensure they reflect the voices and experiences of today’s UCLA Latinx students. ### [UCLA Latino Alumni Association](https://alumni.ucla.edu/organizer/ucla-latino-alumni-association/) [View Organizer Website](https://alumni.ucla.edu/network/ucla-latino-alumni-association/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Join us for the first of six workshops as part of the Modal Interchange: Conversations on 21st-Century Performance Practices series with Vicki Ray, a Los Angeles based composer and pianist, who will join Wendy Richman in a conversation about concert programming and commissioning new works. Concert Curation IS Composition! Every musician presenting a concert is: a composer! In this talk I’ll explore different ways to think about concert programming and how the works you program constitute a meta-composition. Using musical examples I’ll explore the way connections between worlds – musical and otherwise – can create fresh, interesting juxtapositions that challenge (and hopefully delight!) the performer as well as the listener. Folded into this approach is the opportunity to commission new works that can tie previously unrelated pieces together and expand the repertoire of our instrument. Bio Described as “phenomenal and fearless” Vicki Ray is a pianist, improviser and composer. She has commissioned and premiered countless new works by today’s leading composers. Ray is a founding member of Piano Spheres and was, for many years, the head of keyboard studies at the California Institute of the Arts where she was named the first recipient of the Hal Blaine Chair in Musical Performance. She has appeared on numerous international festivals and was a regular member of the faculty at the Bang On a Can Summer Festival at MASS MoCA. Ray has been featured on the Los Angeles Philharmonic Green Umbrella Series as soloist and collaborative artist. Her widely varied performing and recording career covers the gamut of new and old music: from Boulez to Reich, Wadada Leo Smith to Beethoven. Notable recordings include the first Canadian disc of Schoenberg’s Pierrot Lunaire with the Blue Rider Ensemble, the premiere recordings of Steve Reich’s You Are (Variations) and the Daniel Variations with the Los Angeles Master Chorale and the first recording of John Cage’s Europeras 3 and 4. Her recording of Cage’s The Ten Thousand Things on Microfest Records received 2013 Grammy nomination. Vicki can also be seen playing the chromelodeon in the Los Angeles based PARTCH ensemble. Vicki Ray is a Steinway artist. More about Modal Interchange: Conversations on 21st-Century Performance Practices The personality of Los Angeles’s new music scene mirrors its city’s culture and geography as a whole: equal parts diversity and decentralization, in a battle for recognition and relevance that crisscrosses 650 freeway miles. The Modal Interchange series casts a wide net around LA’s new music community, hosting a diverse group of individuals who might not otherwise share the same artistic and academic spaces, in a series of lecture-workshops geared to an audience of performers. Modal Interchange is a series of six workshops through 2026-27. Each workshop focuses on an element of 21st-century performing, programming, and music-making in the world of contemporary music, with special focus on the topics’ relevance in greater LA: histories of experimental music and the avant-garde, commissioning new works, concert programming, listening as an audience member, listening as a performer, score-reading and part-marking, learning and practicing contemporary works, improvisation practices, and arts activism. This series is conceived and hosted by violist Wendy Richman and produced in partnership with the UCLA Center for Musical Humanities. Dr. Richman is Lecturer in Performance Studies, Director of uclaFLUX, and a founding member of the International Contemporary Ensemble. For the full schedule, please visit our website: https://schoolofmusic.ucla.edu/modal-interchange-conversations-on-21st-century-performance-practices/

California Education Learning Lab presents a high-energy, participatory debate on the purpose of higher ed in the age of AI, where everyone is welcome to speak, listen, and engage. Join us for a different kind of conversation about the purpose of higher education in the age of AI. Hosted by April Lawson of Insight Debate & Dialogue in partnership with the My Robot Teacher podcast, this high-energy, participatory debate invites attendees to explore a timely and potentially contentious question facing higher education. There will be no slate of experts at the front of the room. Instead, everyone present will have the opportunity to contribute. You are welcome to speak, listen, or simply take in the conversation. The goal is not necessarily to reach agreement, but to bring different perspectives into the open and engage thoughtfully across disagreement. Closer to the event, registrants will be invited to complete a brief survey to help select the specific resolution we’ll debate. Resolutions include statements such as “Higher education has become transactional rather than transformative” or “AI will do more harm than good in higher education.” Once selected, the final resolution will be announced and shared broadly in advance. This free event is open to Learning Lab's INSPIRE convening attendees and the broader UCLA/Los Angeles higher education community, including students, faculty and administrators, and other interested guests. No special expertise or preparation is required. Participants will come away with a model for a classroom, meeting, or town-hall ready format for discussing hot button topics in a constructive, meaningful, engaging, and safe way. Seats are limited: Advance RSVP is requested.

#Educational

Part of: Archive Treasures Presented by the UCLA Film & Television Archive and the Hugh M. Hefner Classic American Film Program. Archive Treasures showcases works from UCLA Film & Television Archive’s extensive holdings, which comprise one of the largest moving image collections in the world. Included in this series will be deserving and rarely screened gems presented in original and restored prints.

#Arts #MovieFilm

Connect with fellow American Indian and Indigenous students, faculty, staff, and community members and share a meal to celebrate the start of the academic term. Free and open to all. Registration required.

#Educational #Research

@ The 2nd Act Academy is a 6-week learning experience which blends intellectual engagement with personal reflection and practical next steps to help you reimagine what is next. Join 50 of your peers as you learn, grow, develop and build community with Bruins. Sold Out Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Join the UCLA Herb Alpert School of Music for a screening of the film “Arnold Schoenberg and That Ol’ Atonal Music: A Conversation” featuring interviews with Larry Schoenberg and Alex Ross in the Schoenberg Rockingham house, followed by in-person discussion with Schoenberg family members, Alex Ross and the makers of the film.

@ Bruin Family Socials are events that bring UCLA to neighborhoods around the world. Providing an opportunity for attendees to engage with one another on a regional level, Bruin Family 1Socials foster connections and relationships within the greater Bruin community. Historically, Bruin Family Socials have taken place over the course of one weekend each year. During spring 2023, these events transitioned to a year-round model that accommodates a variety of activities and locations, ultimately allowing for added flexibility and more opportunities to build community than ever before. We hope you will join us at an event near you! ### [UCLA Alumni Affairs](https://alumni.ucla.edu/organizer/ucla-alumni-affairs/) [View Organizer Website](https://alumni.ucla.edu/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Join us for an evening of community, food, and celebration! Enjoy student performances, connect with peers and faculty, and explore resources that support the Bruin community.

#Cultural

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Huib Schippers argues that the history of ethnomusicology shows an organic development towards public-facing work, and discusses the skill sets needed in the field to improve lives through music. Abstract: An interesting thing happened to ethnomusicology on its way to the 21st century. While beginnings in the 1800s kept it carefully away from direct interaction with the people who make music, culture and context became increasingly important in the second half of the 20th century. Towards 2000, an awareness had dawned that the musicians we work with and their communities perhaps should be at the center of our efforts. This first manifested as “giving back” research outputs (such as recordings) to the community, and later expanded into working with communities on an equal footing to serve their agendas in and through music. In this talk, I will argue that this very short history constitutes an organic development towards public-facing work, and discuss how applied ethnomusicologists require new skill sets to engage successfully with an exciting range of contemporary applied work in the realms of social justice, health, institutions, media, cultural sustainability and crisis recovery. Bio: Huib Schippers is one of the world’s leading scholars on the crossroads of music education, community music, music industry, cultural diversity, and sustainability. In over three decades of leadership roles in arts and academia, he founded the World Music School in Amsterdam (1990-1996), the World Music & Dance Centre in Rotterdam (2001-2006), and Queensland Conservatorium Research Centre in Australia (2003-2015). Next, he directed Smithsonian Folkways Recordings (2016-2020), served as UC Regents’ Professor at UCLA (2022) and as Visiting Professor at CCOM in Beijing (2023). In 2025, he was proclaimed Distinguished Changjiang Professor and became Founding Director of the International Centre for Cultural Sustainability at Zhaoqing University in China. Schippers has initiated applied projects on five continents and published over 200 publications for scholarly and general audiences, mostly on cultural diversity, artistic research, systems of learning, and cultural sustainability, including Facing the Music: Shaping Music Education from a Global Perspective (Oxford University Press (OUP), 2010); Sustainable Futures for Music Cultures (OUP, 2016) and Music, Communities, Sustainability (OUP, 2022). https://huibschippers.org/

Join the UCLA Rubsamen Music Library for a Jam Session with the Herbie Hancock Institute of Jazz Performance Ensemble. The afternoon will begin with a set by the Ensemble, followed by an open jam session. No RSVP required. All are welcome to participate!

#Arts #Music

Join The UCLA Herb Alpert School of Music for the second annual UCLA Bassoon Day. Spearheaded by John Steinmetz, director of the bassoon studio, this event will feature a full day of bassoon classes, performance, reedmaking, bassoon band, with bassoon related vendors showing instruments, reeds, and accessories. This event will take place in the Band Room (1345) and is open to students of all levels.

@ Join us for a night out in lovely Lafayette, CA. The Western Flyer Project was born out of a desire to use craft beer as a community rallying point. They brew world class beer on site, and will have a full kitchen serving casual coastal tacos and lite bites. We will then move to the local Round Up Saloon for karaoke. ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of Ryusuke Hamaguchi: Early Works Presented by the UCLA Film & Television Archive and the Yanai Initiative When Drive My Car won the Oscar for Best International Feature Film in 2022, on top of being the first Japanese film ever nominated for Best Picture, it may have appeared to many as if its director, Ryusuke Hamaguchi, had come out of nowhere to accomplish such a feat. Still others may have known him as the director of the four-hour tour-de-force relationship drama, Happy Hour, when it generated cinephile buzz on the festival circuit in 2016 or perhaps the spellbinding romance-by-way-of identity-crisis, Asako I & II, when it became his first film to premiere at Cannes in 2018. But well before these milestones, Hamaguchi was busy making shorts and features that have rarely screened outside of Japan. After graduating from Tokyo University in 2003 under the influence of John Cassavetes, Hamaguchi began directing in earnest before entering Tokyo University of the Arts where Kiyoshi Kurosawa (Cure, Pulse) became a mentor. As a student and beyond, Hamaguchi took advantage of a network of non-profit, institutional support to workshop projects that allowed him to experiment with like-minded actors, screenwriters and cinematographers. Indeed, a number of his films from this period (Intimacies, Touching the Skin of Eeriness) foreground the creative process as elements of his sublimely structured mid-career style come into view. With his latest film, All of a Sudden, in theaters this November, the Archive is pleased to present this selection of early works by Hamaguchi that confirm what was to come even as they defy expectations. Series programmed and notes written by Senior Public Programmer Paul Malcolm.

#Arts #MovieFilm

@ Travel back more than 250 years to explore the pioneers and innovators who originated from the Presidio—and helped shape San Francisco, the United States, and the world. The journey begins by recognizing and honoring the Ramaytush Ohlone people, the first stewards of this land. From there, explore the dramatic transitions of power over the Presidio between three powerful countries and discover how the Presidio evolved from a strategic military outpost into one of the most popular national parks in the country. The tour will last approximately 2 hours, and we will walk 1.3 miles. The trail is mostly flat with some inclines. We advise that you please wear layers, as the weather changes drastically. Bathrooms are available and we kindly ask that you please refrain from bringing any pets. **_All sales are final and refunds cannot be provided._** ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join the Bay Area Bruins and fellow alumni Sunday afternoon for the Bay FC vs Portland Thorns NWSL women’s soccer match. Six former UCLA players are represented between the two rosters. Bay FC – Abby Dahlkemper, Caprice Dydasco Portland Thorns – Jessie Flemming, Jayden Perry, Reilyn Turner, Jennie Immethun Seats will be in Section 132 located midway between the north goal and the centerline of the pitch. Excellent location and sightlines for watching the match. Reserving tickets early will secure seats closer to the field. **_All sales are final and refunds cannot be provided._** A portion of the proceeds will also go to support the Bay Area Bruins and its mission in supporting Bay Area UCLA scholars. ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: Ryusuke Hamaguchi: Early Works Presented by the UCLA Film & Television Archive and the Yanai Initiative When Drive My Car won the Oscar for Best International Feature Film in 2022, on top of being the first Japanese film ever nominated for Best Picture, it may have appeared to many as if its director, Ryusuke Hamaguchi, had come out of nowhere to accomplish such a feat. Still others may have known him as the director of the four-hour tour-de-force relationship drama, Happy Hour, when it generated cinephile buzz on the festival circuit in 2016 or perhaps the spellbinding romance-by-way-of identity-crisis, Asako I & II, when it became his first film to premiere at Cannes in 2018. But well before these milestones, Hamaguchi was busy making shorts and features that have rarely screened outside of Japan. After graduating from Tokyo University in 2003 under the influence of John Cassavetes, Hamaguchi began directing in earnest before entering Tokyo University of the Arts where Kiyoshi Kurosawa (Cure, Pulse) became a mentor. As a student and beyond, Hamaguchi took advantage of a network of non-profit, institutional support to workshop projects that allowed him to experiment with like-minded actors, screenwriters and cinematographers. Indeed, a number of his films from this period (Intimacies, Touching the Skin of Eeriness) foreground the creative process as elements of his sublimely structured mid-career style come into view. With his latest film, All of a Sudden, in theaters this November, the Archive is pleased to present this selection of early works by Hamaguchi that confirm what was to come even as they defy expectations. Series programmed and notes written by Senior Public Programmer Paul Malcolm.

#Arts #MovieFilm

@ Please join us at Game n’ Grounds Board Game Cafe to connect with San Fernando Valley Alum Bruins while playing board games and eating delicious food! Feel free to stop by as long as you wish. Space is limited, so RSVP as soon as possible. If you are unable to attend this event anymore or have any questions, please contact Tanisha at tgunby@g.ucla.edu. ### [San Fernando Valley Network](https://alumni.ucla.edu/organizer/san-fernando-valley-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-fernando-valley-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Arts Gowanus is hosting their 30th annual Open Studios event. It’s a fun and free annual event where dozens of art studios in Gowanus open to the public. We’re hosting a group to walk together and hang out in a fun neighborhood. There’s also delicious bakeries and cafes we can check out together. Come ready to learn about local art and make new friends. ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

This eight-part webinar series highlights content from Foundations and Futures, a multimedia textbook from UCLA's Asian American Studies Center. You can register for this virtual webinar at this link: bit.ly/TeachingAAPI

#Educational #Research

@ Join us for our monthly meeting for Bruin Affiliates members and guests with luncheon and a speaker! The luncheon will include a sandwich platter with salads. A vegetarian option is available. Please RSVP by Wednesday, October 14th. Reservations are required and we are unable to seat anyone without a reservation and paid for in advance. $45.00 for Bruin Affiliates Members, and $50.00 for Non Bruin Affiliates Members ### [Town & Gown Affiliates of UCLA](https://alumni.ucla.edu/organizer/town-gown-affiliates-of-ucla/) [View Organizer Website](https://alumni.ucla.edu/network/the-town-gown-affiliates-of-ucla/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Change is the only constant in life, and every day we are called to reckon with this. Today it may be most apparent to you in national or global tumult, a career pivot you’re contemplating or relationship dynamics you’re struggling to tweak or adapt to. However it shows up, you can count on the rug continuing to shift beneath your feet. And your brain really doesn’t like that, at least by default. In its frenzy to find stability today, it will leap to ways of thinking and behaving that will leave you feeling even more stuck, stifled, and afraid tomorrow. Yet, if you are inclined toward personal growth, you can use the tidal forces of change to propel you to ever-greater wisdom, inner stability and even growth. In this session with Jim Hjort, an executive and career coach, personal development trainer and licensed psychotherapist, you’ll learn: • Why your inner critic and pessimist is actually a key part of your team • Why you may do all the “right” things, while feeling less and less satisfied with your life • How to look beneath the surface of your life story to identify what makes you feel truly alive—so you can have more of that • Communication skills to help you show up for yourself first, so you can show up whole and healthy for anyone else you want in your life • How to not just survive chaos and uncertainty, but embrace it as the essential journey of your life Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join entertainment alumni from USC, CalArts, NYU, Stanford and of course, UCLA with the biggest cross-campus entertainment networking event of the year. Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: Ryusuke Hamaguchi: Early Works Presented by the UCLA Film & Television Archive and the Yanai Initiative When Drive My Car won the Oscar for Best International Feature Film in 2022, on top of being the first Japanese film ever nominated for Best Picture, it may have appeared to many as if its director, Ryusuke Hamaguchi, had come out of nowhere to accomplish such a feat. Still others may have known him as the director of the four-hour tour-de-force relationship drama, Happy Hour, when it generated cinephile buzz on the festival circuit in 2016 or perhaps the spellbinding romance-by-way-of identity-crisis, Asako I & II, when it became his first film to premiere at Cannes in 2018. But well before these milestones, Hamaguchi was busy making shorts and features that have rarely screened outside of Japan. After graduating from Tokyo University in 2003 under the influence of John Cassavetes, Hamaguchi began directing in earnest before entering Tokyo University of the Arts where Kiyoshi Kurosawa (Cure, Pulse) became a mentor. As a student and beyond, Hamaguchi took advantage of a network of non-profit, institutional support to workshop projects that allowed him to experiment with like-minded actors, screenwriters and cinematographers. Indeed, a number of his films from this period (Intimacies, Touching the Skin of Eeriness) foreground the creative process as elements of his sublimely structured mid-career style come into view. With his latest film, All of a Sudden, in theaters this November, the Archive is pleased to present this selection of early works by Hamaguchi that confirm what was to come even as they defy expectations. Series programmed and notes written by Senior Public Programmer Paul Malcolm.

#Arts #MovieFilm

@ **\*CANCELED\*** Join us for a performance of _The Heart_, followed by a conversation with members of the cast and a networking event. ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Please join us for UCLA monthly Happy Hour at Hoxton Bar Rivie. Guests are responsible for their own drinks ### [France Network](https://alumni.ucla.edu/organizer/france-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Are you looking to enjoy an international food experience? Join the UCLA Dashew Center, Wescom Financial, and ASUCLA for an evening celebrating international food and community! Enjoy international food, live student performances, games, giveaways, and more. Wescom Financial will also offer on-site account openings during the event. Register today!

#Social #Community

This session will introduce instructors and TAs to accessibility tools that are available in Bruin Learn. We will demonstrate the following: - How to use auto-generated captions - How to edit captions - How to select optimal tools and formats for posting your videos - Overview of the WCAG 2.1 AA compliance deadline for April, 2026 By the end of this session, participants will be able to select and utilize tools to make their media more accessible in Bruin Learn. Audience: Faculty, TAs, Staff

@ One thing many of us miss about UCLA is how easy it was to run into friends and feel part of a community because even in L.A., people can scatter surprisingly quickly after graduation. We want to help recreate a bit of that Bruin camaraderie here because we know there are plenty of Bruins nearby — we just don’t recognize one another now that BearWear isn’t our daily attire. We can change that. Join us for an evening of relaxed fun with the classes of 2020-26. This is as low-key as it gets: no program, no icebreakers and no expectation that you work the room. If you’d rather not walk in alone, bring a friend — they don’t need to be a Bruin. Drop in for a bit or stay all evening. If you want a preview, 1212 Santa Monica — our spot for the evening — is pictured below. Order whatever you’d like from the bar or kitchen on your own tab, then settle into the open, two-story space and enjoy the lively Santa Monica atmosphere. With creative cocktails, a SoCal-inspired menu and plenty of room to catch up or get to know someone new, 1212 feels like the perfect place to meet other recent grads who already know at least one chapter of our story. Maybe you’ll meet other sports fans to watch a UCLA game with this fall, find people who want to explore a new local spot in the next few months, or exchange career tips down the line. Who knows — you might even end up sitting across from one another at a Dinner for 12 Strangers that one of you hosts next February. This could be the start of a circle of Bruins you keep bumping into — and choosing to spend time with. Our greatest hope is that you make friends you like enough to say, “We should do this again,” and then actually do it.. ### [Westside Network](https://alumni.ucla.edu/organizer/los-angeles-westside-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ The 2026 U.S. midterm elections will shape far more than the balance of power in Washington. Their consequences will ripple through global markets, transatlantic relations, European security, and the future of the liberal international order. This distinguished panel discussion, presented by the University of California, Los Angeles (UCLA) Alumni UK Network and the University of Chicago Booth School of Business UK alumni community, brings together leading voices in politics, economics, and international affairs to examine how America’s domestic political landscape is inseparable from global stability and economic confidence. For business leaders, investors, policymakers, and internationally minded professionals, understanding what’s at stake in these midterms is essential to navigating an increasingly interconnected geopolitical and economic landscape. Key Themes Moving beyond campaign horse-race coverage, our panel will examine the outcome’s real-world implications for governments, markets, institutions, and businesses across Europe and beyond: * The political landscape: electoral behaviour, polarisation, and the resilience of American democratic institutions * European security: what the outcome means for NATO, Ukraine, and the continent’s defence posture * Transatlantic cooperation: the outlook for U.S.–Europe partnership in an era of geopolitical fragmentation * Markets and fiscal policy: investor confidence, monetary policy, and the global economic outlook * The liberal international order: the future of multilateral institutions under growing strain This is a conversation for anyone who needs to understand not just who wins, but what it means for transatlantic cooperation, for institutional trust, and for the decisions business and policy leaders will need to make next. Early-Bird; £80 from September 2, 2026. ### [UK Network](https://alumni.ucla.edu/organizer/uk-network/) [View Organizer Website](https://alumni.ucla.edu/network/uk-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

In person: David Stenn, author of Clara Bow: Runnin’ Wild. Presented by the UCLA Film & Television Archive, the Hugh M. Hefner Classic American Film Program and the Art Deco Society of Los Angeles “I’ve had enough trouble with men without marrying any!” declares Clara Bow (whose own hectic love life was this film's inspiration) as she flees wannabe Paris grooms for the French Riviera where comic mayhem ensues amidst Art Deco sets. Unseen for decades due to rights issues and still unavailable on any platform, this super-rare Pre-Code romp is “a rush of great fun, high spirits, and good humor from a bright ensemble cast, and particularly vivacious Bow” (Derek Winnert). Special thanks to David Stenn; and Margot Gerber, Art Deco Society of Los Angeles.

#Arts #MovieFilm

NCR XVs Premier League

@ Join the Chicago Network as we cheer on UCLA football! _Dog Haus is close to the Fullerton L Stop, and can be accessed by multiple bus routes. There is also street parking available. We often have drink and food specials. Go Bruins!_ Open Event ### [Chicago Network](https://alumni.ucla.edu/organizer/chicago-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

In person: Q&A with UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli and UCLA Comparative Literature Professor Nouri Gana. Guest speaker 60 years after its first screening in Algiers, The Battle of Algiers has lost none of its political punch. Premiering internationally at the 1966 Venice Film Festival, where it won the Golden Lion, the film was celebrated for the audacity with which it confronted the still-raw history of French colonialism and the Algerian struggle for independence. In France, however, it remained effectively banned for years. Its extraordinary political afterlife has been equally paradoxical: a film embraced by anticolonial and revolutionary movements around the world has also been studied by military and counterinsurgency strategists, including at the Pentagon during the Iraq War. Starring almost exclusively nonprofessional actors and shot entirely on location in Algiers in a strikingly realist, quasi-documentary style, Gillo Pontecorvo’s film reconstructs the pivotal 1957 Battle of Algiers during the Algerian War of Independence (1954–62). Beginning with French paratroopers closing in on FLN militant Ali La Pointe, the film moves backward to trace his politicization and the escalating confrontation between the National Liberation Front and the French colonial state. Yet The Battle of Algiers is less the story of an individual revolutionary than of a people becoming a political subject. Made shortly before the manifestos that would theorize “Third Cinema,” the film became one of its enduring touchstones: cinema conceived not simply as representation but as intervention. Its unsettling treatment of colonialism, revolutionary violence, torture and collective resistance continues to raise urgent questions about political violence, national liberation and the unfinished work of decolonization. Note written by UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli and UCLA Comparative Literature Professor Nouri Gana.

#Arts #MovieFilm

@ Bruin Family Socials are events that bring UCLA to neighborhoods around the world. Providing an opportunity for attendees to engage with one another on a regional level, Bruin Family Socials foster connections and relationships within the greater Bruin community. Historically, Bruin Family Socials have taken place over the course of one weekend each year. During spring 2023, these events transitioned to a year-round model that accommodates a variety of activities and locations, ultimately allowing for added flexibility and more opportunities to build community than ever before. We hope you will join us at an event near you! Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

LA’s 33 Strings (三十三絃の会), a distinguished Japanese music ensemble based in Southern California and dedicated to the preservation and evolution of Japan’s musical heritage, hosts a workshop on Japanese music. Featuring instruments such as the koto, bass koto, and shamisen, the group performs a wide variety of music, ranging from classical pieces and folk songs to contemporary works, including anime and film scores, bringing together members and audiences through a shared appreciation of Japanese music. LA’s 33 Strings has appeared at a range of notable events, including a collaboration with the globally renowned video game Silent Hill f, the Newport Beach Film Festival, Anime Expo, and the Dream Asia Food Festival in Las Vegas, as well as numerous community events throughout Southern California. The ensemble has also performed at venues such as Bowers Museum, Descanso Gardens, and other Japanese gardens, libraries, art galleries, and cultural festivals. In addition, LA’s 33 Strings has produced hands-on workshops throughout the LA community with the endorsement of the Consulate General of Japan. These educational programs help deepen appreciation and understanding of Japanese musical traditions while creating opportunities for participants to experience the instruments and music firsthand. As its presence continues to grow, the ensemble looks ahead to future engagements, including its annual fall concert on November 21st. This special evening will reflect not only the cultural richness and musical refinement of Japanese music, but also the spirit of community at the heart of LA’s 33 Strings. LA’s 33 Strings is generously supported by grants from the California Arts Council, LA County Arts and Culture, Japan Foundation, and the Eastside Arts Initiative. https://www.33strings.org/ This workshop is presented in conjunction with the symposium “Music Alive in the Archive: Legacy and Promise–65 Years of the UCLA Ethnomusicology Archive,” a two-day event in celebration of the 65th anniversary of the UCLA Ethnomusicology Archive. Sponsored by the UCLA Ethnomusicology Archive, the UCLA Department of Ethnomusicology, and the Dean’s Office, UCLA Herb Alpert School of Music.

Kinnara was formed in 1969 by Rev. Masao Kodani and several members of Senshin Buddhist Temple and includes a Gagaku group of 15-20 musicians and dancers and a Taiko group. It sponsors study groups and conducts seminars on Buddhist culture and performing arts. Gagaku is the oldest existing tradition of orchestral music and dance in the world, representing the court music and dance of ancient Asia (central Asia, southeast Asia, India, China, Manchuria, Korea, and Japan). It is the collective music of these areas up to the 10th century and as early as the beginning of the common era. This music is preserved and performed to this day in Japan and, to a lesser degree, in Korea. In Japan, it became part of the liturgical music and dance of our Jodoshinshu sect in the 17th century and has been performed in our temples in America since the early 1900s. Kinnara had the rare opportunity to study gagaku under the guidance of Professor Suenobu Togi, emeritus professor of the Department of Ethnomusicology at UCLA and musician in the Imperial Household Department of Court Music in Japan. He taught the group from 1969-2010. Kinnara Gagaku continues to perform at various temples for special services, as well as at cultural centers and universities. In October 2023, Kinnara Gagaku performed at Walt Disney Hall in downtown Los Angeles for the celebration of their 20th anniversary. https://senshintemple.org/groups/kinnara/ This concert is presented in conjunction with the symposium “Music Alive in the Archive: Legacy and Promise–65 Years of the UCLA Ethnomusicology Archive,” a two-day event in celebration of the 65th anniversary of the UCLA Ethnomusicology Archive. Co-sponsored by the Hiroshi Wagatsuma Memorial Faculty Grant from the UCLA Asia Pacific Center, the UCLA Department of World Arts and Cultures/Dance, the UCLA Ethnomusicology Archive, the UCLA Department of Ethnomusicology, and the Dean’s Office, UCLA Herb Alpert School of Music.

Join us for a two-day celebration of the 65th anniversary of the UCLA Ethnomusicology Archive. The event will feature a symposium, workshops, and concerts. International, national, and local archivists, alumni, faculty, and community members will come together to explore the history and evolving role of ethnomusicological archives in preserving and sustaining musical traditions. The event is also in celebration of World Day for Audiovisual Heritage. Saturday’s featured guest artists will be LA’s 33 Strings, who will lead a Japanese music workshop, and Kinnara Gagaku, who will present a gagaku concert. Kinnara Gagaku was taught for more than 35 years by Suenobu Togi, a former musician of the Japanese Imperial Court who directed UCLA Ethnomusicology’s Music of Japan Ensemble from 1961 to 1993. Professor Robert Garfias, who founded the Music of Japan Ensemble at UCLA in 1958, will introduce the concert. Sunday’s featured guest artists will be Masanga Marimba, led by UCLA Ethnomusicology alumnus Dr. Ric Alviso. Masanga Marimba will lead both a workshop and the Sunday evening concert. Established in 1961, the UCLA Ethnomusicology Archive is a world-renowned research archive dedicated to the study of musical traditions from around the globe. The Archive’s collection of more than 160,000 audio, video, print, and photographic items documents musical expressions throughout the world and includes unique field recordings as well as rare commercial recordings. As part of UCLA’s Department of Ethnomusicology, the Archive preserves and makes accessible over 60 years’ worth of audio and video recordings of the department’s famed concerts and also of lectures by legendary scholars and performers, ranging from Mantle Hood to Ravi Shankar to Dizzy Gillespie. In addition to preservation and access, the Archive offers a wide range of research, outreach, and educational services. From international scholars to local community members and UCLA students and faculty, the Archive is recognized locally and internationally as an important center of ethnomusicological research and discovery. Sponsored by The UCLA Department of World Arts and Cultures/Dance, the UCLA Ethnomusicology Archive, the UCLA Department of Ethnomusicology, and the Dean’s Office, UCLA Herb Alpert School of Music.

@ Join us for our fall hike on the Kenter trail. The hike will have with spectacular views of the Santa Monica mountains and the Santa Monica Bay. It’s in and out so those who want a shorter hike can turn around when we get to Mountain Gate for about a 4 mile hike and the rest of us will continue on for a longer hike to Mulholland for around 7/7.5 miles. Please also bring water, snacks, and sun protection as you will need. Optional post-hike coffee nearby for those who’d like to continue networking. ### [Westside Network](https://alumni.ucla.edu/organizer/los-angeles-westside-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ The LA Cancer Challenge is the starting line to Halloween fun and benefits the Hirshberg Foundation for Pancreatic Cancer Research and the UCLA Agi Hirshberg Center for Pancreatic Diseases. The gorgeous 5K course starts in Wilson Plaza, takes you throughout campus and ends with a treat – our LACC Finish Line Donut Wall! Enjoy the Fit Family Expo and colorful Candy Land Kids Zone, knowing your participation helps drive research towards a cure for pancreatic cancer and supports crucial patient services. UCLA Alumni can use the discount code “UCLACC” for $5 off your registration, good through 10/24/26. Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

The program includes compositions by Sergei Prokofiev, Mieczyslaw Weinberg, and Dmitri Shostakovich. Please visit the event website for full details and ticket information.

#Undergraduate #FacultyStaff #Alumni #Arts #Music

Masanga Marimba will perform a selection of pieces from Zimbabwe, South Africa, Cameroon, Colombia, Guatemala, and Mexico on Zimbabwean-style marimbas, mbira, drums, and percussion. Participation is appreciated! Masanga Marimba performs traditional and popular music from Africa and Latin America. The instruments used in this ensemble consist of seven Zimbabwean marimbas of various sizes along with vocals, drums, and percussion. The word “Masanga” comes from a Shona word that means the coming together of rivers or roads representing the meeting of African and Latin musical traditions in this group. Masanga Marimba formed in the year 2000 and has performed at the Hollywood Bowl, Los Angeles County Music Center, Grand Performances, Getty Center, Skirball Cultural Center, Ford Amphitheatre, California Worldfest, Millpond Music Festival, Strawberry Festival, and many other high profile music venues. The ensemble has opened for Neil Young, Stephen Stills, Beck, Lana Del Rey, John Mayer, Nora Jones, Father John Misty, Los Lobos, Ziggy Marley, Pink Martini, and many others. The group is led by Dr. Ric Alviso (UCLA Ethnomusicology PhD 2002), Professor of World Music at California State University Northridge. Professor Alviso studied traditional African music in Senegal, Zimbabwe, and Ghana. The members of Masanga have degrees in percussion performance, music composition, jazz performance, and music therapy. Masanga is one of the only marimba ensembles in the U.S. that combines Latin and African traditions. For more information go to: www.masanga.com This concert is presented in conjunction with the symposium “Music Alive in the Archive: Legacy and Promise–65 Years of the UCLA Ethnomusicology Archive,” a two-day event in celebration of the 65th anniversary of the UCLA Ethnomusicology Archive. Sponsored by the UCLA Ethnomusicology Archive, the UCLA Department of Ethnomusicology, and the Dean’s Office, UCLA Herb Alpert School of Music.

Part of: Ryusuke Hamaguchi: Early Works Presented by the UCLA Film & Television Archive and the Yanai Initiative When Drive My Car won the Oscar for Best International Feature Film in 2022, on top of being the first Japanese film ever nominated for Best Picture, it may have appeared to many as if its director, Ryusuke Hamaguchi, had come out of nowhere to accomplish such a feat. Still others may have known him as the director of the four-hour tour-de-force relationship drama, Happy Hour, when it generated cinephile buzz on the festival circuit in 2016 or perhaps the spellbinding romance-by-way-of identity-crisis, Asako I & II, when it became his first film to premiere at Cannes in 2018. But well before these milestones, Hamaguchi was busy making shorts and features that have rarely screened outside of Japan. After graduating from Tokyo University in 2003 under the influence of John Cassavetes, Hamaguchi began directing in earnest before entering Tokyo University of the Arts where Kiyoshi Kurosawa (Cure, Pulse) became a mentor. As a student and beyond, Hamaguchi took advantage of a network of non-profit, institutional support to workshop projects that allowed him to experiment with like-minded actors, screenwriters and cinematographers. Indeed, a number of his films from this period (Intimacies, Touching the Skin of Eeriness) foreground the creative process as elements of his sublimely structured mid-career style come into view. With his latest film, All of a Sudden, in theaters this November, the Archive is pleased to present this selection of early works by Hamaguchi that confirm what was to come even as they defy expectations. Series programmed and notes written by Senior Public Programmer Paul Malcolm.

#Arts #MovieFilm

@ Support UCLA scholarships for students in the South Bay by having a meal at California Fish Grill in El Segundo on October 25, 2026 from 11am to 8pm. The restaurant will donate 25% of all receipts to the UCLA Alumni South Bay Scholarship Fund. Attendees are encouraged to RSVP to this website (no payment required) to commit to supporting the fundraiser: [https://www.groupraise.com/events/331032?utm\_source=sendgrid&utm\_medium=email&utm\_campaign=o\_event\_automatic\_confirmed](https://www.groupraise.com/events/331032?utm_source=sendgrid&utm_medium=email&utm_campaign=o_event_automatic_confirmed) Upon ordering, mention UCLA Alumni Scholarship. If placing an order online, please enter this code at checkout: FUND2026 https://order.cafishgrill.com/menu/?restaurantId=58 Guests can order any amount at the restaurant on 10/25/26, in person or online on the CA Fish Grill website, and the restaurant will donate 25% to our scholarship fund. Our alumni group is not collecting any money directly. Guests can order any amount at the restaurant on October 25! 25% will be donated to the South Bay Scholarship fund. ### [South Bay Network](https://alumni.ucla.edu/organizer/south-bay-network/) [View Organizer Website](https://alumni.ucla.edu/network/south-bay-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join fellow Bruins and Trojans for a relaxed picnic at Presidio Tunnel Tops in San Francisco, bringing our Bay Area alumni communities together over food, drinks, and a little friendly rivalry. This event is free to attend! Reconnect with familiar faces, meet alumni across industries and graduating classes, and enjoy an afternoon of conversation with the Golden Gate Bridge as our backdrop. Whether you’ve just moved here or have called the Bay Area home for years, this is a chance to celebrate your school pride while getting to know the people who share your corner of the Bay. Come on your own or plan to meet up with fellow alums. There’s plenty to bond over beyond game day and room for some good-natured debate about which school deserves the bragging rights. Bring your school spirit, a picnic blanket, and a layer for the coastal breeze. Blue and gold or cardinal and gold, we look forward to seeing you! Go Bruins! Fight On! Getting There: By shuttle or public transit: Take the free Presidio GO Shuttle from downtown San Francisco or Muni 43 to Presidio Transit Center, a short walk from Presidio Tunnel Tops. If you’re connecting from BART, check the shuttle’s downtown stops and schedule to plan your transfer. By car: Paid parking is available near Presidio Tunnel Tops, including the lot at Graham Street and French Court. Allow extra time to park and walk to the gathering. ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Join us for a special Story Time presented in conjunction with Paths of Memory, Paths of Healing: Shipibo-Konibo Kené Art. Our guest storyteller, Erick (Ronin) Arias Silvano, will bring to life the histories of mythical beings—from river serpents to forest spirits of Amazonian oral traditions—that move through Shipibo-Konibo cosmology and the wider Amazon.

#Educational #Research

Join us for a WORKSHOP by Masanga Marimba! In this workshop you will learn parts for 2-3 musical selections on Zimbabwean-style marimba. This ensemble consists of multiple soprano, tenor, baritone, and bass marimbas, along with percussion. You will learn several marimba parts, singing, historical background on the development of the Zimbabwean marimba ensemble, and cultural background of the music selected. Masanga Marimba performs traditional and popular music from Africa and Latin America. The instruments used in this ensemble consist of 7 Zimbabwean marimbas of various sizes along with vocals, drums, and percussion. The word “Masanga” comes from a Shona word that means the coming together of rivers or roads representing the meeting of African and Latin musical traditions in this group. Masanga Marimba formed in the year 2000 and has performed at the Hollywood Bowl, Los Angeles County Music Center, Grand Performances, Getty Center, Skirball Cultural Center, Ford Amphitheatre, California Worldfest, Millpond Music Festival, Strawberry Festival, and many other high profile music venues. The ensemble has opened for Neil Young, Stephen Stills, Beck, Lana Del Rey, John Mayer, Nora Jones, Father John Misty, Los Lobos, Ziggy Marley, Pink Martini, and many others. The group is led by Dr. Ric Alviso (UCLA Ethnomusicology PhD 2002), Professor of World Music at California State University Northridge. Professor Alviso studied traditional African music in Senegal, Zimbabwe, and Ghana. The members of Masanga have degrees in percussion performance, music composition, jazz performance, and music therapy. Masanga is one of the only marimba ensembles in the U.S. that combines Latin and African traditions. For more information go to: www.masanga.com This workshop is presented in conjunction with the symposium “Music Alive in the Archive: Legacy and Promise–65 Years of the UCLA Ethnomusicology Archive,” a two-day event in celebration of the 65th anniversary of the UCLA Ethnomusicology Archive. The event is FREE and open to the public. Sponsored by the UCLA Ethnomusicology Archive, the UCLA Department of Ethnomusicology, and the Dean’s Office, Herb Alpert School of Music at UCLA.

Join us for a two-day celebration of the 65th anniversary of the UCLA Ethnomusicology Archive. The event will feature a symposium, workshops, and concerts. International, national, and local archivists, alumni, faculty, and community members will come together to explore the history and evolving role of ethnomusicological archives in preserving and sustaining musical traditions.   The event is also in celebration of World Day for Audiovisual Heritage.   Saturday’s featured guest artists will be LA’s 33 Strings, who will lead a Japanese music workshop, and Kinnara Gagaku, who will present a gagaku concert. Kinnara Gagaku was taught for more than 35 years by Suenobu Togi, a former musician of the Japanese Imperial Court who directed UCLA Ethnomusicology’s Music of Japan Ensemble from 1961 to 1993. Professor Robert Garfias, who founded the Music of Japan Ensemble at UCLA in 1958, will introduce the concert.   Sunday’s featured guest artists will be Masanga Marimba, led by UCLA Ethnomusicology alumnus Dr. Ric Alviso. Masanga Marimba will lead both a workshop and the Sunday evening concert.   Established in 1961, the UCLA Ethnomusicology Archive is a world-renowned research archive dedicated to the study of musical traditions from around the globe. The Archive’s collection of more than 160,000 audio, video, print, and photographic items documents musical expressions throughout the world and includes unique field recordings as well as rare commercial recordings. As part of UCLA’s Department of Ethnomusicology, the Archive preserves and makes accessible over 60 years’ worth of audio and video recordings of the department’s famed concerts and also of lectures by legendary scholars and performers, ranging from Mantle Hood to Ravi Shankar to Dizzy Gillespie. In addition to preservation and access, the Archive offers a wide range of research, outreach, and educational services. From international scholars to local community members and UCLA students and faculty, the Archive is recognized locally and internationally as an important center of ethnomusicological research and discovery.   Sponsored by The UCLA Department of World Arts and Cultures/Dance, the UCLA Ethnomusicology Archive, the UCLA Department of Ethnomusicology, and the Dean’s Office, UCLA Herb Alpert School of Music.

Why do we suffer? Why do people die young? Is there any point to our excessive pain, physical or emotional? This talk explores the ways that we have tried to minimize or eliminate suffering, and examines people’s attempts to find ways to live with pointless suffering. Ultimately, to be fully human—and to have healthy culture—means to acknowledge a mysterious paradox: we must simultaneously accept suffering and oppose it. Scott Samuelson studied philosophy at Grinnell College (BA, 1995, valedictorian) and Emory University (PhD, 2001). He is currently a Professor of Practice in the Departments of Philosophy and Religious Studies at Iowa State University. In 2014, he was named Distinguished Humanities Educator by the Community College Humanities Association. Inspired by his students, he wrote his first book The Deepest Human Life: An Introduction to Philosophy for Everyone (University of Chicago Press, 2014), which has been well received not just by prominent reviewers but by numerous non-philosophers who found their philosophical voice with its help. The book has been translated into Chinese and Portuguese. Samuelson has published articles in the Wall Street Journal, the Huffington Post, the Chronicle of Higher Education, The Philosopher’s Magazine, and Christian Century. His article “Why I Teach Plato to Plumbers” in The Atlantic has been widely circulated. He’s been interviewed on NPR and given various public lectures and talks, including a TEDx talk “How Philosophy Can Save Your Life.” Scott Samuelson was the recipient of the 2015 Hiett Prize in the Humanities. Co-sponsored by the UCLA Center for Buddhist Studies.

Why do we suffer? Why do people die young? Is there any point to our excessive pain, physical or emotional? This talk explores the ways that we have tried to minimize or eliminate suffering, and examines people’s attempts to find ways to live with pointless suffering. Ultimately, to be fully human—and to have healthy culture—means to acknowledge a mysterious paradox: we must simultaneously accept suffering and oppose it. Scott Samuelson studied philosophy at Grinnell College (BA, 1995, valedictorian) and Emory University (PhD, 2001). He is currently a Professor of Practice in the Departments of Philosophy and Religious Studies at Iowa State University. In 2014, he was named Distinguished Humanities Educator by the Community College Humanities Association. Inspired by his students, he wrote his first book The Deepest Human Life: An Introduction to Philosophy for Everyone (University of Chicago Press, 2014), which has been well received not just by prominent reviewers but by numerous non-philosophers who found their philosophical voice with its help. The book has been translated into Chinese and Portuguese. Samuelson has published articles in the Wall Street Journal, the Huffington Post, the Chronicle of Higher Education, The Philosopher’s Magazine, and Christian Century. His article “Why I Teach Plato to Plumbers” in The Atlantic has been widely circulated. He’s been interviewed on NPR and given various public lectures and talks, including a TEDx talk “How Philosophy Can Save Your Life.” Scott Samuelson was the recipient of the 2015 Hiett Prize in the Humanities. Co-sponsored by the UCLA Center for Buddhist Studies.

The UCLA Ralph J. Bunche Center for African American Studies presents the inaugural Richard Yarborough Lecture in Black Literature, featuring a conversation between Dr. Richard Yarborough, Professor of English and African American Studies Emeritus at UCLA, and Dr. Valerie Smith, President of Swarthmore College, moderated by Dr. Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. Established as part of the Bunche Center Director Lecture Series, this inaugural program honors Dr. Yarborough’s distinguished contributions to Black literary scholarship, African American Studies, and the UCLA community. Reception: 6 PM. Program: 7 PM.

#Educational #Research

Join the UCLA Herb Alpert School of Music for an evening performance in Schoenberg Hall spearheaded by Professor Dante De Silva featuring UCLA Faculty.

UCLA Nazir Ali Jairazhboy Colloquium Dawn Norfleet: Beyond Being Alice Coltrane and Betty Davis As the centennial celebrations of John Coltrane and Miles Davis reach sunset, we will shine light on the unique artistry of two exceptional musicians, Alice McLeod Coltrane and Betty Gray Mabry Davis.  These women played significant roles in the lives and music of jazz luminaries John and Miles during their brief marriages; even more importantly, they were impactful music and culture creators whose full recognition may have been overshadowed by their iconic husbands until recent years.  Beyond being John’s collaborator, Alice Coltrane was a music visionary fusing improvisation, jazz, gospel, and Indian traditions in her compositions and recordings. Her Hindu devotees honored her as and Hindu spiritual leader, Swamini A.C. Turiyasangitananda.  Beyond being “Miles’ muse”, Betty Gray Mabry was a trailblazing Black female rocker, songwriter, and bandleader at the height of the Soul Era. Her raspy voice and raunchy lyrics expressed an overt sexuality and aggressive performativity that was presumed the domain of white male rock artists, while also being considered too provocative for many Black listeners influenced by aesthetics of gospel and Motown.  We will not only discuss the strong impact Alice and Betty had on the musical direction of John and Miles, but also, how these women were cultural catalysts on the merits of their own artistry.

Perhaps to be too practical is madness. To surrender dreams — this may be madness. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be! – Don Quixote Immerse yourself in the fantastical world of Don Quixote, where comic misadventures, tender moments and heroic dreams come vividly to life in Richard Strauss’s dazzling tone poem. As the Don, UCLA Philharmonia welcomes our new Professor of Cello Ben Hong in his Philharmonic debut, alongside his trusty sidekick Sancho Panza (aka UCLA Professor of Viola Che-Yen Chen). Before intermission, we’ll do a deep dive into the novel and the tone poem with Prof. Hong, UCLA Distinguished Professor Barbara Fuchs (one of the world’s leading Cervantes scholars) and our Philharmonia musicians. All hail the Knight Errant!

Join the UCLA Herb Alpert School of Music as we welcome pianist Elizabeth Schumann for the Fall installment of our 2026/27 David L. Abell Piano Master Series, a concert series which features renowned artists visiting UCLA to perform and work with our piano students.   About Elizabeth Schumann: Dr. Elizabeth Schumann is a concert pianist, educator, and interdisciplinary artist whose work spans leading concert halls, public art initiatives, and research at the intersection of the arts, technology, and human performance. Described by The Washington Post as “deft, relentless, and devastatingly good—the sort of performance you experience not so much with your ears as your solar plexus,” she approaches the concert stage as a place where artistry and inquiry meet, offering audiences experiences that link music with the broader human story. ​ As a recitalist, chamber musician, and concerto soloist, she has performed at the Kennedy Center, Vienna’s Bösendorfer Saal, Weill at Carnegie Hall, Montreal’s Place des Arts, San Francisco’s Davies Symphony Hall, Los Angeles’ Walt Disney Concert Hall, the Musical Instruments Museum in Phoenix, Ravinia’s Rising Stars Series, Australia’s Huntington Festival, the Cannes Film Festival, and the Gilmore International Keyboard Festival. Her performances have been featured on NPR’s Performance Today, PBS, the Australian Broadcasting Corporation, and Canadian Broadcasting Corporation. Honors include the Gilmore Young Artist Award, first prizes at the Bösendorfer and Pacific International Piano Competitions, and awards at the Cleveland, Hilton Head, Montreal, and World International Piano Competitions. ​ Her portfolio extends beyond traditional concert work to collaborative projects that place music in fresh contexts. She has developed touring productions that integrate performance with narrative and visual design, large-scale public installations that transform city spaces into concert venues, and educational programs for children and underserved communities that pair music with literature and live storytelling. These include Piano Carnival, which grew from a 15-city tour into a book, CD, and interactive applications reaching more than 20,000 students and teachers; Son et Lumière, premiered at Boston’s Illuminus Festival and later commissioned for the Pike & Rose Audio Visual Arts Festival, attracting audiences of over 8,000; and Pianimal, a concert and video series presented across the United States and distributed to children’s hospitals through partnerships with leading arts organizations. Across these projects, her aim is to allow audiences to meet music on their own terms and to experience its power without barriers of price or pretense. Her work has also reached international audiences through U.S. Embassy cultural diplomacy programs, building connections and mutual understanding through performance. ​ Carrying on the pedagogical tradition of her teacher, Sergei Babayan, Dr. Schumann has taught at Winter and Summer Performing Arts at The Juilliard School, Itzhak Perlman’s Perlman Music Program, the Crowden Chamber Music Workshop, and the Vancouver Piano Sessions. She is the Billie Bennett Director of Keyboard Studies and Assistant Professor of Music at Stanford University, where she combines conservatory-level training with insights from neuroscience, psychology, and biomechanics to help pianists achieve expressive freedom while minimizing injury risk. At Stanford, her research examines how physiology, pedagogy, and instrument design shape performance, with applications that extend beyond the arts to fields such as medicine, rehabilitation, and human performance science. ​ Through collaborations that unite artists, scientists, and community leaders, Dr. Schumann expands how people encounter and engage with music. Her work demonstrates how these connections can open new possibilities, deepen understanding, and inspire contributions that reach beyond the concert hall.

@ Whether you moved to Sacramento for grad school, for work, or came back home after UCLA, building a life in a city is a lot easier with a few Bruins around. This is a relaxed evening to meet other recent grads, trade the “wait, where’d you live on the Hill?” stories, and start turning a new city into a familiar one. Come meet folks to catch a UCLA game with this fall, explore a new spot with next month, or trade career notes with down the line. For a lot of us, this is one of our first times gathering as alumni rather than students — and that’s the whole point. Urban Roots Brewery & Smokehouse, Midtown Sacramento \[Oct 29th, 5-7pm\] Free — just RSVP so we have a rough headcount! Hosted by Fei \[2017\] and Sam \[2018\] ### [Sacramento Network](https://alumni.ucla.edu/organizer/sacramento-network/) [View Organizer Website](https://alumni.ucla.edu/network/sacramento-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join the UCLA Alumni Arizona Network at our quarterly networking event! Mix and mingle with local Bruins, create new professional connections and reconnect with old friends. Get to know the Arizona Bruin community! ### [Arizona Network](https://alumni.ucla.edu/organizer/arizona-network/) [View Organizer Website](https://alumni.ucla.edu/network/arizona-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Join the UCLA Herb Alpert School of Music for the first Wind Ensemble concert of the 2026-2027 season.

NCR XVs Premier League

2nd XV Match

@ Join us as we cheer on UCLA Football! The bar has agreed to the following specials: 1. $6 Draft Beer 2. $30 Bucket of Beers (5 bottles in a bucket) 3. $10 Pizza & $15 Wings ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join the Chicago Network as we cheer on UCLA football! _Dog Haus is close to the Fullerton L Stop, and can be accessed by multiple bus routes. There is also street parking available. We often have drink and food specials. Go Bruins!_ Open Event ### [Chicago Network](https://alumni.ucla.edu/organizer/chicago-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: The Trouble With Ghosts In person: UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli and Université Paris Cité Visual Studies Professor Martine Beugnet The history of photography, film and television is so populated by ghosts that we can forget what is uniquely strange about them. The ghost is a troubling figure that points to the limit of thought — to death and nothingness. Yet, phantoms need an audience and a medium to make their appearance in the form of the sound of knocking, audiovisual noise, an eerie feeling, a white sheet with two cut out holes for eyes. What is a ghost without its sheet, or medium through which it speaks? In the process of taking new forms, they test the boundaries between the human, the machine and the non-human, stirring up new anxieties. Even if said to be non-beings, ghosts are granted supernatural sight (a maniacal gaze) and power (to possess bodies and to touch the living). At the same time, they interrupt communications, and images of the dead continue to be circulated as exploitable brands. While endlessly occupying the archive of contemporary digital media, certain ghostly images, memories and dreams are privileged over others. For lack of political will, or even just lack of images, witnesses and sound recordings, some ghosts do not and will not see the light of day. The Trouble With Ghosts explores what is so conceptually and figuratively unsettling about the ghost and the media that host it. The series is an attempt to understand the politics of ghosting in an age that is so preoccupied with specters (past, present and future). Series programmed by UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli, Université Paris Cité Visual Studies Professor Martine Beugnet and Archive Research and Public Access Coordinator Nicole Ucedo. Notes written by Kriss Ravetto-Biagioli and Martine Beugnet.

#Arts #MovieFilm

Please join the Milken Center for a gala 90th birthday celebration featuring the music of Steve Reich, one of the leading composers of our time, and a paradigmatic musician of American Jewish experience. Works to include Eight Lines, Know what is above you, WTC 9/11 and Tehillim.

Part of: The Trouble With Ghosts In person: UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli and Université Paris Cité Visual Studies Professor Martine Beugnet The history of photography, film and television is so populated by ghosts that we can forget what is uniquely strange about them. The ghost is a troubling figure that points to the limit of thought — to death and nothingness. Yet, phantoms need an audience and a medium to make their appearance in the form of the sound of knocking, audiovisual noise, an eerie feeling, a white sheet with two cut out holes for eyes. What is a ghost without its sheet, or medium through which it speaks? In the process of taking new forms, they test the boundaries between the human, the machine and the non-human, stirring up new anxieties. Even if said to be non-beings, ghosts are granted supernatural sight (a maniacal gaze) and power (to possess bodies and to touch the living). At the same time, they interrupt communications, and images of the dead continue to be circulated as exploitable brands. While endlessly occupying the archive of contemporary digital media, certain ghostly images, memories and dreams are privileged over others. For lack of political will, or even just lack of images, witnesses and sound recordings, some ghosts do not and will not see the light of day. The Trouble With Ghosts explores what is so conceptually and figuratively unsettling about the ghost and the media that host it. The series is an attempt to understand the politics of ghosting in an age that is so preoccupied with specters (past, present and future). Series programmed by UCLA Cinema and Media Studies Professor Kriss Ravetto-Biagioli, Université Paris Cité Visual Studies Professor Martine Beugnet and Archive Research and Public Access Coordinator Nicole Ucedo. Notes written by Kriss Ravetto-Biagioli and Martine Beugnet.

#Arts #MovieFilm

@ Come watch your UCLA men’s basketball team as they face the Arizona Wildcats at T-Mobile Arena in Las Vegas next season on Monday, Nov. 2, 2026, as part of a college basketball opening-night doubleheader. This will also be the college debut of UCLA’s latest five-star recruit Serbian forward Nikola Kusturica. Nikola is arguably the best European prospect in his age group and an early contender for the No. 1 pick in the 2028 NBA draft. Hope to see you there and Go Bruins! Open event. ### [Sacramento Network](https://alumni.ucla.edu/organizer/sacramento-network/) [View Organizer Website](https://alumni.ucla.edu/network/sacramento-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join the official UCLA Alumni pregame party on Monday, Nov. 2, 2026 when the UCLA men’s basketball team kicks off the season in the 2026 Hall of Fame Series Las Vegas.  Enjoy pregame heavy appetizers at Tom’s Watch Bar, New York-New York Casino, 3790 S Las Vegas Blvd, Las Vegas, NV 89109, located just steps from T-Mobile Arena. Children under 5 are free Adults and Children ages 5 to 12; Children under 5 are free ### [UCLA Alumni Affairs](https://alumni.ucla.edu/organizer/ucla-alumni-affairs/) [View Organizer Website](https://alumni.ucla.edu/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Nearly a decade ago the descendants of Sir Arthur Conan Doyle (1859-1930) transferred a substantial part of the author’s private library to Blackie House Library and Museum in Edinburgh, the city of his birth. Each of the 400 volumes tells a unique story of the writer who not only created the globally admired character Sherlock Holmes but was author of dozens upon dozens of works in fictional and non-fictional genres. In this talk, Dr. William Zachs, the Director of the Blackie House Library and Museum, tells tales teased out from the pages of the collection that reveal the close connections between the books Conan Doyle owned and read and those he wrote and revised. Using his own critical powers of observation and deduction, Zachs uncovers significant biographical revelations that bring us closer to the author and his times.

#Educational #Academic

@ Everyone is invited to join our SF Bay Area Bruins Alumni Network Board planning meeting. We meet every other month over Zoom to review past events and plan future events. We seek to schedule diverse opportunities for alumni and friends to gather anywhere from Los Gatos to Oakland to Marin to San Mateo. Come to share ideas or find ways to get connected with UCLA. RSVP in advance to get the Zoom link. We look forward to meeting you! ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care. Literally and figuratively scarred by his mother’s years of substance abuse, Sequoyah keeps mostly to himself, living with his emotions pressed deep below the surface. At least until he meets seventeen-year-old Rosemary, a troubled artist who also lives with the family. Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah’s feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both. (from GoodReads) ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

The 21st Kenneth Karmiole Lecture on the History of the Book Trade, given by Dennis Duncan, Associate Professor, University College London. This talk begins with a collection of four dozen Burying in Woollen affidavits from the village of Upper Heyford in Oxfordshire, dating from the first decade of the eighteenth century to the last. Each affidavit testifies to a burial in the village, and an oath taken by a relative of the deceased that the body was wrapped in nothing other than wool. These are roughly-printed, single-sheet forms, illustrated with crude woodcuts of skulls and cadavers. They were printed seventy miles away in London. What can the stationery of a country rector tell us about the practices of the London printers, how they advertised, and how the blank precedent?what we might today call a form?offered rich, ever-changing opportunities to supplement their book work?

#Educational #Academic

@ The UCLA Black Alumni Association (UBAA) and UCLA Strategic Partnerships & Community Engagement (SPCE) is hosting an application readiness workshop for high school juniors and seniors, and prospective transfer students applying to UCLA in Fall 2027. RSVP Coming Soon! ### [UCLA Black Alumni Association](https://alumni.ucla.edu/organizer/ucla-black-alumni-association/) [View Organizer Website](https://alumni.ucla.edu/network/ucla-black-alumni-association/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

The UCLA Guitar Ensemble presents the culmination of its Improvisation Workshop with the Radu Valcu Quintet, featuring chamber and ensemble performances by UCLA guitar students, alumni, and guests. Directed by the Radu Valcu Quintet and conducted by Dr. Mircea Gogoncea, the program explores new and existing classical-jazz fusion works, highlighting improvisation as a vital part of contemporary performance practice.

NCR XVs Premier League

Part of: Food and Film Presented by the UCLA Film & Television Archive and the Hammer Museum Just as every memorable dinner harmonizes textures and flavors to create something more than the sum of its parts — of the type that feels like “a kind of love affair” — so too does Danish director Gabriel Axel’s Babette’s Feast. A dash of piety, a splash of romance, a hint of heartache, a touch of splendor, and generous portions of human frailty and desire all come together in Axel’s framing, Henning Kristiansen’s cinematography and the delicate performances of its outstanding cast to make you fall in love with the movies and dining, all over again. We’re pleased to present this Academy Award-winning classic of the culinary screen to mark the fifth anniversary of Lulu at the Hammer Museum. Programmed and note written by Senior Public Programmer Paul Malcolm.

#Arts #MovieFilm

Part of: Ryusuke Hamaguchi: Early Works Presented by the UCLA Film & Television Archive and the Yanai Initiative When Drive My Car won the Oscar for Best International Feature Film in 2022, on top of being the first Japanese film ever nominated for Best Picture, it may have appeared to many as if its director, Ryusuke Hamaguchi, had come out of nowhere to accomplish such a feat. Still others may have known him as the director of the four-hour tour-de-force relationship drama, Happy Hour, when it generated cinephile buzz on the festival circuit in 2016 or perhaps the spellbinding romance-by-way-of identity-crisis, Asako I & II, when it became his first film to premiere at Cannes in 2018. But well before these milestones, Hamaguchi was busy making shorts and features that have rarely screened outside of Japan. After graduating from Tokyo University in 2003 under the influence of John Cassavetes, Hamaguchi began directing in earnest before entering Tokyo University of the Arts where Kiyoshi Kurosawa (Cure, Pulse) became a mentor. As a student and beyond, Hamaguchi took advantage of a network of non-profit, institutional support to workshop projects that allowed him to experiment with like-minded actors, screenwriters and cinematographers. Indeed, a number of his films from this period (Intimacies, Touching the Skin of Eeriness) foreground the creative process as elements of his sublimely structured mid-career style come into view. With his latest film, All of a Sudden, in theaters this November, the Archive is pleased to present this selection of early works by Hamaguchi that confirm what was to come even as they defy expectations. Series programmed and notes written by Senior Public Programmer Paul Malcolm.

#Arts #MovieFilm

The program includes compositions by Lili Boulanger, Maurice Ravel, and Felix Mendelssohn. Please visit the event website for full details and ticket information.

#Arts #Music

Join UCLA Herb Alpert School of Music’s Percussion Ensemble for their Fall installment of their quarterly performance series.

At Eye Level Photo-Stories from Six Angelenos A collaborative project with Rancho’s Violence Recovery and Prevention Program. This visual storytelling project features six Latine and Black wheelchair users with spinal cord injuries exploring photography as a way to document their everyday lives. All are former patients of Rancho Los Amigos National Rehabilitation Center in Downey and work as peer mentors and counselors with people injured by gun violence through the Rancho Violence Recovery and Prevention Program (RVRPP). Developed through a series of collaborative photography workshops, the project approaches the camera as a tool of self-representation. Bringing together portraits of the participants with photographs and stories of their homes, neighborhoods, routines, mobility, and moments of joy, the exhibition presents six distinct perspectives on disability and everyday life in Los Angeles. For more information about the gallery, please visit the Heumann Community Partnership webpage. Folleto de la exposición «At Eye Level» de los días 9 y 10, y del 11 al 13 de noviembre en la Galería de Arte Kerckhoff. A la Altura de los Ojos Historias Fotográficas de Seis Angelinos Un proyecto en colaboración con el Programa de Prevención y Recuperación de la Violencia de Rancho. Este proyecto de narración visual presenta a seis personas de raza latine y negra en silla de ruedas con lesiones medulares que exploran la fotografía como una forma de documentar su vida cotidiana. Todas ellas son antiguas pacientes del Centro Nacional de Rehabilitación Rancho Los Amigos, en Downey, y trabajan como mentoras y consejeras con personas afectadas por la violencia armada a través del Programa de Prevención y Recuperación de la Violencia de Rancho (RVRPP). Desarrollado a través de una serie de talleres colaborativos de fotografía, el proyecto aborda la cámara como una herramienta de autorrepresentación. Al reunir retratos de los participantes con fotografías e historias de sus hogares, barrios, rutinas, movilidad y momentos de alegría, la exposición presenta seis perspectivas distintas sobre la discapacidad y la vida cotidiana en Los Ángeles. Para obtener más información sobre la galería, visita la página web de Heumann Community Partnership. Nov 09, 2026 - Nov 13, 2026 Kerckhoff Art Gallery, Kerckhoff Hall Level 2 7am-10pm

#Arts #Art

Join us for the opening reception of At Eye Level. Light refreshments will be served. Please RSVP by Friday, October 23rd. At Eye Level Photo-Stories from Six Angelenos A collaborative project with Rancho’s Violence Recovery and Prevention Program. This visual storytelling project features six Latine and Black wheelchair users with spinal cord injuries exploring photography as a way to document their everyday lives. All are former patients of Rancho Los Amigos National Rehabilitation Center in Downey and work as peer mentors and counselors with people injured by gun violence through the Rancho Violence Recovery and Prevention Program (RVRPP). Developed through a series of collaborative photography workshops, the project approaches the camera as a tool of self-representation. Bringing together portraits of the participants with photographs and stories of their homes, neighborhoods, routines, mobility, and moments of joy, the exhibition presents six distinct perspectives on disability and everyday life in Los Angeles. For more information about the gallery, please visit the Heumann Community Partnership webpage. Folleto de la recepción inaugural de «At Eye Level». La recepción tendrá lugar el 9 de noviembre, de 17:00 a 19:00, en la Galería de Arte Kerckhoff, situada en la segunda planta del edificio Kerckhoff Hall de la UCLA. El folleto incluye cuatro imágenes de muestra de la exposición fotográfica. Acompáñanos en la recepción inaugural de A la Altura de los Ojos. Se servirán unos aperitivos ligeros. Por favor, confirma su asistencia antes del viernes 23 de Octubre. A la Altura de los Ojos Historias Fotográficas de Seis Angelinos Un proyecto en colaboración con el Programa de Prevención y Recuperación de la Violencia de Rancho. Este proyecto de narración visual presenta a seis personas de raza latine y negra en silla de ruedas con lesiones medulares que exploran la fotografía como una forma de documentar su vida cotidiana. Todas ellas son antiguas pacientes del Centro Nacional de Rehabilitación Rancho Los Amigos, en Downey, y trabajan como mentoras y consejeras con personas afectadas por la violencia armada a través del Programa de Prevención y Recuperación de la Violencia de Rancho (RVRPP). Desarrollado a través de una serie de talleres colaborativos de fotografía, el proyecto aborda la cámara como una herramienta de autorrepresentación. Al reunir retratos de los participantes con fotografías e historias de sus hogares, barrios, rutinas, movilidad y momentos de alegría, la exposición presenta seis perspectivas distintas sobre la discapacidad y la vida cotidiana en Los Ángeles. Para obtener más información sobre la galería, visita la página web de Heumann Community Partnership.

#Arts #Art

@ Come join Bruin Alumni and Friends for a fun and relaxing discussion of books. We try to curate a wide variety of genres (all recommended by our own members) to accommodate all tastes and to encourage each other to read something we wouldn’t on our own. We would love to have you join us. All are welcome! November: Poetry Night. We ask that you please bring your own poem or song lyric to share. Please email bkronbeck@social.rr.com to be added to the waitlist for the South Bay Book Club.   https://youtube.com/shorts/nG3z3Q-NA5o?feature=share ### [South Bay Network](https://alumni.ucla.edu/organizer/south-bay-network/) [View Organizer Website](https://alumni.ucla.edu/network/south-bay-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Join us for a night of new music composed by UCLA undergraduate composition students.   Among one of the most competitive schools for composition in the country, the UCLA Herb Alpert School of Music boasts performances of music written by ferociously talented and exceptionally gifted young composers.   Please come support their endeavors as we kick off the 2025-26 school year of composers concerts!

Judith A. Peraino and Tom McEnaney, authors of We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman an Beyond (2026), join with Tommy Gear and Paul Roessler from legendary LA punk band the Screamers to delve into punk archives of zines, photos, flyers and documents and discuss how punk’s grassroots creative communities and uncompromising artistic visions challenged the dominance of major labels and corporate standards, and created an alternative ecosystem to the mainstream music industry that has lasted over fifty years. The Berry Gordy Music Industry Center at UCLA’s Herb Alpert School of Music hosts a compelling speaker series aiming to inspire and educate the next generation of music industry professionals by providing direct access to those shaping the industry, from creatives to executives each facet of the industry will be touched upon. Each event highlights conversations around the human side of the industry—from personal growth and wellness to social impact and responsible leadership. The series offers students the opportunity to learn directly from change makers across music, media, and business who are reimagining what it means to lead with purpose in a rapidly evolving industry.

@ Take 20 minutes in your day to enjoy much-needed relaxation and calm. When registering, please enter “UCLA” under “organization.” Monthly meditation is led by Michal Rinkevich (MBA ’14) who has been practicing healing arts and meditation since 1995 and teaching since 2006. ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Winner of the Israeli Academy’s Best Documentary Award, The Komediant focuses on the life and career of Pesach Burstein and his family, famous for Yiddish theater. A discussion with son, actor Mike Burstyn follows the screening.

@ Join us as we cheer on UCLA Football! The bar has agreed to the following specials: 1. $6 Draft Beer 2. $30 Bucket of Beers (5 bottles in a bucket) 3. $10 Pizza & $15 Wings ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Dog Haus is close to the Fullerton L Stop, and can be accessed by multiple bus routes. There is also street parking available. We often have drink and food specials. Go Bruins! _Dog Haus is close to the Fullerton L Stop, and can be accessed by multiple bus routes. There is also street parking available. We often have drink and food specials. Go Bruins!_ ### [Chicago Network](https://alumni.ucla.edu/organizer/chicago-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

The conference "William Andrews Clark Jr., California Fine Press, Independent Publishing, and Literary Activity in Los Angeles," organized by Johanna Drucker, Distinguished Professor and Breslauer Professor Emerita, Department of Information Studies (UCLA), explores the connection between William Andrews Clark Jr. and the fine press community that emerged in Southern California in the 1930s, which is evident in the extensive collections assembled in his lifetime and after. This conference reflects on the role of Clark and his Library in the broader range of literary and publishing activity in the decades after its founding. For additional details, please visit the event website.

#Educational #Academic

Friendly Match

In person: Q&A with UCLA Asian American Studies Assistant Professors Loubna Qutami and Nour Joudah, moderated by UCLA Comparative Literature Ph.D. student Aciah Abdulsater. Guest speaker Every space hosts the accumulation of time and is thus a repository of memory, one that is active and dynamic. Jean Khalil Chamoun’s Women Beyond Borders (2004) and Theo Panagopoulos’ The Flowers Stand Silently, Witnessing (2024) were made two decades apart, but together they foster an ongoing conversation at the intersection of identity, memory and place across Lebanon and Palestine. Though distinct in form, the films consider the relationship between people’s lived environments and their individual and collective identities. The films navigate through spaces both historically and presently marked by displacement, violence and resilience. Both offer meditations and testimonies on how these spaces can inhabit a people’s memories, linger into their present realities and influence their futures. Rather than attempting to unearth a singular tradition, this program amplifies an ongoing cinematic conversation across Lebanon and Palestine that is rooted in intertwined histories of occupation and resistance. This conversation is an urgent one to hold today in light of the ongoing aggression against southern Lebanon and historic Palestine that continues to target complete ecosystems. This systematic surge of destruction and harm affects far beyond the physical; it seeks to fracture memory, sever a people’s sense of being and belonging, and jeopardize social relations that places sustain. The moving image as a tool presents an opportunity to forge an alternative place of memory work, one capable of preserving spatial memory, making visible the forms of erasure, and imagining continuities that exceed the violence of occupation and its imposed restriction on bodies and space. Programmed by UCLA Comparative Literature Ph.D. student Aciah Abdulsater and Archive Research and Public Access Coordinator Nicole Ucedo. Notes and concept by Aciah Abdulsater.

#Arts #MovieFilm

In 1901, Eva Palmer abandoned her life as a privileged New York socialite, moving to Paris with her lover, the writer and salonist, Natalie Barney. The two Americans became the center of a wild tangle of lesbian love affairs and backyard performances based on intentional reimaginings of Sappho’s work and life. A chance encounter led Eva to Greece, where she married Angelos Sikelianos, a visionary poet who would become a Greek national hero. Celebrated American poet Eleni Sikelianos grew up knowing little of these illustrious ancestors, her great grandparents, who, in the early 20th century staged a revival of the ancient Delphic festivals, convinced that it would open a path to world peace. It was not until the age of 20, on her first trip to Greece, that she encountered the breadth of their legacy. In her new book, "Memory Rehearsal" (City Lights, 2026), Sikelianos unearths the story of her search for these pioneering ancestors, in a text that shifts between prose, poetry, imaginary performance texts, fiction, and nonfiction, with archival and family photographs. Eleni will read from and discuss "Memory Rehearsal," which "Kirkus" calls a “moving family memoir and a triumph of cultural archaeology.” Eleni Sikelianos was born into a family of tree workers, bohemians, poets, ne’er-do-wells, visionaries, and smalltime sort-of hustlers. She is a poet, writer, collaborator, and “master of mixing genres.” As a student of the poets of Naropa, she is a lineage-holder in the Outrider poetics family tree. Deeply engaged with ecopoetics, her work takes up urgent concerns of environmental precarity and ancestral work. She has published ten books of poetry (most recently, "Your Kingdom," 2023) and a trilogy of unclassifiable hybrid works, sometimes called nonfiction, sometimes memoirs, sometimes fiction: "The Book of Jon" and "You Animal Machine," and, most recently, "Memory Rehearsal" (City Lights, 2026). "Memory Rehearsal," called “a triumph of cultural archaeology” in a starred Kirkus review and named One of "Publishers Weekly’s" Most Anticipated Books for 2026, is a genre-busting encounter between a poet and her ancestral past documenting a startling intersection of queer history, ancient theater, utopian visions, and modern poetry. Among other honors, she has been awarded two National Endowment for the Arts fellowships, a Fulbright Artists fellowship, and a New York Foundation for the Arts Award in nonfiction. She grew up in earshot of the ocean, in small coastal towns near Santa Barbara, and has since lived in San Francisco, New York, Paris, Athens (Greece), Boulder (Colorado), and Providence. "Memory Rehearsal" will be available for purchase at the event! All major credit cards, Apple Pay, and Google Pay are accepted. Cash is also accepted with exact change only. This program is made possible thanks to the generous support of the Stavros Niarchos Foundation (SNF).

#Cultural #IdentityBased

Join the UCLA Herb Alpert School of Music for an evening of chamber music highlighting members of the brass family.

Join the UCLA Herb Alpert School of Music for an afternoon of music featuring the students of Dr. Jan Berry Baker.

n person: Pre-screening talk by Laura Horak, author, Trans Cinema: Making Communities, Identities, and Worlds. Post-screening Q&A. Archive Talks pairs leading historians and scholars with screenings of the moving image media that is the focus of their writing and research. Each program will begin with a special talk by the invited scholar that will introduce audiences to new insights, interpretations and contexts for the films and media being screened. This screening will be preceded by a book signing of Trans Cinema: Making Communities, Identities, and Worlds with author Laura Horak beginning at 6 p.m. in the lobby. The Archive first worked with archivist and scholar Laura Horak in 2022 when we presented a series of films unearthed by Horak and her collaborators, Maggie Hennefeld and Elif Rongen-Kaynakçi. Their archival project Cinema’s First Nasty Women celebrated the work of silent comedians who brought an anarchic brand of gender non-conformity to slapstick. Alongside that work, Horak is also the director of the Transgender Media Lab at Carleton University, which created the Transgender Media Portal(opens in a new tab), a database of trans creators, including links to where their work can be seen. Suffice it to say, increasing the visibility and access to the media she studies is an essential element of Horak’s ongoing research project. With her latest book, Trans Cinema: Making Communities, Identities, and Worlds, Horak dives deep into the history, practice and aesthetics of trans artists in the United States and Canada in the 21st century while positioning them within the larger history of trans media production and representation. The Archive is pleased to welcome Horak back to the Billy Wilder Theater for a brief talk about her work followed by a selection of works by trans artists and an on-stage conversation, with more special guests to be announced soon! Part of the Archive’s Legacy Project Screening Series. Support for the screening is provided by the Robert Gore Rifkind Foundation Queer Screening Endowment and The Andrew J. Kuehn Jr. Foundation.

#Arts #MovieFilm

@ Join UCLA’s Pilipino Alumni Association for our annual Holiday Party and Parol Workshop! Bring the whole family to enjoy our holiday festivities, including games, karaoke, and crafts. Come learn how to make a Parol, a colorful star-shaped lantern traditionally hung in homes and streets throughout the Philippines at Christmastime. Stay for a performance from UCLA’s Tinig Choral. Tinig, which means “voice” in Tagalog, is a student-initiated, student-run, a capella choir. RSVP Coming Soon ### [UCLA Pilipino Alumni Association](https://alumni.ucla.edu/organizer/ucla-pilipino-alumni-association/) [View Organizer Website](https://alumni.ucla.edu/network/pilipino-alumni-association/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Hogarth' "Lost" Annotations, presented by Dr. Zirwat Chowdhury, Assistant Professor of 18th- and 19th-Century European Art, Department of Art History (UCLA), focuses on an annotated copy of The Investigator No. CCCXXII, one of a series of essays published by the 18th-century Scottish painter, Allan Ramsay. The annotations are those of Ramsay’s contemporary, the English painter and printmaker, William Hogarth. A prized document for its contribution to the artists’ important debates on art theory and aesthetic philosophy, the annotated volume has been understood by Hogarth scholars to have been long lost, even though it has been part of the Clark collections since it was acquired by William Andrews Clark Jr. in 1929. This talk will discuss how the annotated volume might expand our understanding of Hogarth’s theory of art, foundational to the history of 18th-century British art and controversially espoused by the artist in 1753 in his treatise on art and aesthetics, The Analysis of Beauty.

#Educational #Academic

Join us for the second of six workshops as part of the Modal Interchange: Conversations on 21st-Century Performance Practices series with Jonathan Hepfer, percussionist and artistic director of Monday Evening Concerts, who will join Wendy Richman (Academic Lecturer and Director of uclaFLUX at UCLA) in a conversation about how to develop as a working artist. Sisyphus as Artist (Whatever prevents you from doing your work has become your work) Whether navigating complex scores or directing a series, the common denominator is simply problem solving: using one’s sense of logic, aesthetics, ethics, and intuition to figure out how to get from A to B. Every project or piece is completely different, requiring constant reinvention and re-equipping of one’s toolbox. More abstractly, but of equal or greater weight, is the importance of nurturing non-musical artistic and creative interests while we hone our problem-solving skills. Whether performer, presenter, painter, or poet, artists flourish when we connect through our shared goal: to make a lasting impression on the souls of those around us. Bio Jonathan Hepfer is a percussionist, conductor, and concert curator. He began playing classical music at age seventeen after discovering the work of John Cage while studying at SUNY Buffalo. Subsequently, Jonathan attended Oberlin Conservatory, UC San Diego and the Musikhochschule Freiburg (on a DAAD fellowship) where he studied with Michael Rosen, Steven Schick and Bernhard Wulff. ​Since 2015, he has been the Artistic Director of Monday Evening Concerts (MEC) in Los Angeles as well as its resident ensemble ECHOI. At MEC, Jonathan has directed performances of major works by Pierre Boulez, John Cage, Julius Eastman, Morton Feldman, Philip Glass, Gérard Grisey, Sarah Hennies, Yves Klein, Arvo Pärt, Steve Reich, Salvatore Sciarrino, Caroline Shaw, Tyshawn Sorey, Simeon Ten Holt and Iannis Xenakis. As a curator and producer, he has presented works by Georges Aperghis, Pierluigi Billone, Carolyn Chen, Chaya Czernowin, Julius Eastman, David Hammons, Sarah Hennies, György Kurtág, Klaus Lang, Alvin Lucier, Hans Otte, Éliane Radigue, Michael Pisaro-Liu, Caroline Shaw, Wadada Leo Smith, Steven Takasugi, Davóne Tines and Wu Tsang. Jonathan has directed (or co-directed) projects at venues such as the Getty Museum, Harvard University, Hauser & Wirth, Jeffrey Deitch, LACMA, LAXART, Marciano Art Foundation, the Santa Monica Carousel (Frieze), Thomas Mann House and the Pinault Collection in Paris. ​As a percussion soloist, Jonathan has focused extensively on the works of Georges Aperghis, Pierluigi Billone, Julius Eastman, Brian Ferneyhough, Morton Feldman, Vinko Globokar, Helmut Lachenmann, Giacinto Scelsi, Iannis Xenakis and Walter Zimmermann. In this capacity, he has performed widely across the United States, Europe and Asia. Recent independent projects have included serving as artistic director for a portrait of Julius Eastman at the Pinault Collection in Paris (a collaboration with Anaïs Ngbanzo, Dev Hynes and Adam Tendler) and performing the role of conductor in a revival of Deborah Hay’s ‘Solo 2’ at the Getty Museum. Jonathan has also contributed to projects by friends such as Henrik Purienne (‘Tasjaki’ at Galerie Chenel), Vanessa Beecroft and Gustave Rudman (‘Two Shadows’ at Jeffrey Deitch) and Henri Levy Alexandre (Enfants Riches Déprimés S/S ’25). He has published interviews with Meredith Monk (Autre Magazine), Éliane Radigue (Purple Magazine) and Steve Reich (Kaleidoscope Magazine). Jonathan also documented the oral histories of the pioneering generation of percussion soloists (Jan Williams, Christoph Caskel, Sylvio Gualda, Jean-Pierre Drouet, Gaston Sylvestre, Maurizio Ben Omar). Jonathan has served on the faculty at Art Center Pasadena and Cal Arts. He is interested in the ways that music intersects with visual art, literature, architecture, fashion and film. More about Modal Interchange: Conversations on 21st-Century Performance Practices The personality of Los Angeles’s new music scene mirrors its city’s culture and geography as a whole: equal parts diversity and decentralization, in a battle for recognition and relevance that crisscrosses 650 freeway miles. The Modal Interchange series casts a wide net around LA’s new music community, hosting a diverse group of individuals who might not otherwise share the same artistic and academic spaces, in a series of lecture-workshops geared to an audience of performers. Modal Interchange is a series of six workshops through 2026-27. Each workshop focuses on an element of 21st-century performing, programming, and music-making in the world of contemporary music, with special focus on the topics’ relevance in greater LA: histories of experimental music and the avant-garde, commissioning new works, concert programming, listening as an audience member, listening as a performer, score-reading and part-marking, learning and practicing contemporary works, improvisation practices, and arts activism. This series is conceived and hosted by violist Wendy Richman and produced in partnership with the UCLA Center for Musical Humanities. Dr. Richman is Lecturer in Performance Studies, Director of uclaFLUX, and a founding member of the International Contemporary Ensemble. For the full schedule, please visit our website: https://schoolofmusic.ucla.edu/modal-interchange-conversations-on-21st-century-performance-practices/

In person: Introductions and pre-screening conversation with author and film historian Howard Gutner and Deborah Nadoolman Landis, founding director and chair of the David C. Copley Center for Costume Design at UCLA. Presented by the UCLA Film & Television Archive in partnership with the David C. Copley Center for Costume Design at UCLA. Archive Talks pairs leading historians and scholars with screenings of the moving image media that is the focus of their writing and research. Each program will begin with a special talk by the invited scholar that will introduce audiences to new insights, interpretations and contexts for the films and media being screened. This screening will be preceded by a book signing of Banton of Paramount: Haute Couture in Hollywood’s Golden Age with author Howard Gutner beginning at 6:30 p.m. in the lobby.

#Arts #MovieFilm

Join the UCLA Herb Alpert School of Music for an evening in historic Schoenberg Hall featuring Dr. Travis Cross, Jens Lindemann, and other world-class faculty in a performance of Stravinsky’s Histoire du Soldat.

@ UCLA’s Pilipino Alumni Association is hosting a musical showcase to celebrate and share Filipino culture through musical expression. We welcome UCLA students, alumni, and the friends and family of UCLA’s Filipino Community. ### [UCLA Pilipino Alumni Association](https://alumni.ucla.edu/organizer/ucla-pilipino-alumni-association/) [View Organizer Website](https://alumni.ucla.edu/network/pilipino-alumni-association/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: Archive Television Treasures In person: actors Ruta Lee, Rich Little, Jo Anne Worley Made possible by the John H. Mitchell Television Programming Endowment Premiering on NBC on October 17, 1966, Hollywood Squares became one of the most popular game shows in television history, with over 4,000 episodes of the original network incarnation produced through 1981. The longevity of the simple tic-tac-toe game was driven in large part by the show’s charismatic, quick-witted host, Peter Marshall. A talented actor and nightclub comedian, Marshall breezily tackled the daunting task of corralling the series’ boisterous, rotating stable of nine celebrities, setting up punchlines and volleying retorts with equal aplomb. While high-wattage superstars such as Vincent Price and Sammy Davis Jr. often guested, the literal center of Hollywood Squares’ towering, neon-lit set featured an icon like no other — actor and comedian Paul Lynde. Beloved by audiences of all stripes, Lynde routinely brought down the house with bawdy ad-libs and double entendres — delivered impeccably with a knowing wink. Painfully closeted in his personal life to protect his showbiz career, Lynde turned conventional wisdom of the day upside down, boldly introducing the masses to an undeniably empowered, queer-coded persona previously unseen on television. Join us as we celebrate the 60th anniversary of the premiere of Hollywood Squares and the birth centennials of Peter Marshall and Paul Lynde. Two preserved episodes will be screened, complete with original commercials, as well as an extended clip reel showcasing a galaxy of guest stars, risque retorts and the genius of Paul Lynde. Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.

#Arts #MovieFilm

@ We will be hiking Sullivan Fire Road in the Palisades with spectacular views of the Santa Monica mountains and a few spots with view of the Santa Monica Bay. It’s in and out so those who want a shorter hike can turn around 5 miles when we get to the overlook of Camp Josepho and the rest of us will continue on for a longer hike to a large oak tree about a mile or so further in for a longer hike of around 7/7.5 miles. There is streets parking on Casale if you turn right on Capri. If there is no parking on Casale, streets below should have parking. Please arrive early to account for time to find parking. Please also bring water, snacks, and sun protection as you will need. ### [Westside Network](https://alumni.ucla.edu/organizer/los-angeles-westside-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

UCLA student combos and ensembles directed by world-class jazz artists will be performing well-known jazz standards, contemporary works, and pop songs, as well as compositions by the faculty directors and the students.

UCLA student combos and ensembles directed by world-class jazz artists will be performing well-known jazz standards, contemporary works, and pop songs, as well as compositions by the faculty directors and the students.

@ Your Bruins will take on either Georgetown or Texas on Friday in the Rady Children’s Invitational in San Diego! Specific tipoff TBD, will be either 11:30am or 2pm depending on if they are in the championship or 3rd place game. Hope to see you there, go bruins! Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join us as we cheer on UCLA Football! ### [Washington, D.C. Area Network](https://alumni.ucla.edu/organizer/washington-d-c-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/washington-dc-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join us as we cheer on UCLA Football! Time is TBD. The bar has agreed to the following specials: 1. $6 Draft Beer 2. $30 Bucket of Beers (5 bottles in a bucket) 3. $10 Pizza & $15 Wings Open Event ### [New York Tri-State Network](https://alumni.ucla.edu/organizer/new-york-tri-state-network/) [View Organizer Website](https://alumni.ucla.edu/network/new-york-tri-state-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Come cheer on UCLA’s football team with other Bruins! ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: Dorothy Dandridge The story of Dorothy Dandridge’s career mirrors that of early 20th century Black Hollywood. She first arrived in Los Angeles with her family in the 1930s, during the Great Depression. Dorothy’s mother, Ruby, found work in radio and in small film parts, usually playing domestics. Dorothy and her sister Vivian transformed their Chitlin’ Circuit acrobatic act The Wonder Children into a singing group called The Dandridge Sisters, who were popular in nightclubs like The Cotton Club. The Dandridge family lived in the thriving Black Hollywood area around Central Street in South Los Angeles, connected to the rest of the city by streetcars known as Red Cars. In the 1940s, Dorothy lived in that same neighborhood with her husband, Harold Nicholas of the Nicholas Brothers. Dandridge later moved to a beautiful modern home in the Hollywood Hills before that area was fully integrated. She was always a pioneer, doing things first and refusing to accept the discrimination she saw around her. After she became the first Black woman to be nominated for the Best Actress Oscar for Otto Preminger’s Carmen Jones (1954), she turned down countless supporting roles or what she considered to be stereotypes. Dandridge instead chose to make European and independent films, many of which will screen on prints in this series. She wasn’t so much ahead of her time, as an uncompromising bright talent who refused to bend to a flawed and racist industry. Hollywood today is still catching up to her. Series programmed and notes written by Miriam Bale.

#Arts #MovieFilm

This conference is part of the 2026-27 Core Program, a year-long series of three conferences – Human/Plant, Human/Animal, and Human/Machine – that invite participants from across the humanistic disciplines (including history, art history, history of science, literature, philosophy, religious history, and ecocriticism) to explore how early moderns (1400-1800) sought to define and understand themselves through their relationships with non-human life forms, entities and systems. The first conference, Human/Plant, considers the human relationship to the vegetal world.

#Educational #Academic

@ Join the San Diego Bruin community for a festive evening of fellowship, kindness, and Bruin spirit. We’ll gather in the beautiful Lafayette lobby at 4:00 PM to mix, mingle, take photos, and celebrate the season together. Alumni, family, and friends are all welcome. Come dressed in your UCLA swag, holiday attire, ugly sweaters, or cultural pieces that help showcase the joy, warmth, and spirit of this season. Whether you are reconnecting with old friends, meeting new Bruins, or bringing loved ones into the Bruin family, this will be a cheerful way to close the year in community. Date: December 5 Lobby Gathering: 4:00 PM at The Lafayette At 5:00 PM, 10 seats will be available for those who RSVP at Quixote for dinner Dinner: 5:00 PM at Quixote Dinner seating: Limited to 10 For those that do not RSVP for dinner, the LaFayette grounds are plentiful and there is a diner option for dinner or bites poolside. Wear your blue and gold, your festive best, or whatever makes you feel joyful. We can’t wait to celebrate with you! * * * Site info: Quixote is an Oaxaca-inspired restaurant and mezcalería inside The Lafayette Hotel. The current menu leans toward shareable plates: guacamole, lentil spread, spicy tuna tostada, huitlacoche tamal, pulpo, Oaxacan fondue, crab corn doughnut, memelita with duck carnitas and black mole, tacos, whole grilled fish, lamb belly, tasajo, flan, fritters, and seasonal ice creams/sorbets. It also has a mezcal- and cocktail-forward beverage menu for guests 21+. For people who do not get one of the 10 Quixote dinner seats, The Lafayette still has other on-site options. Beginner’s Diner is listed as open 24/7, with breakfast, dinner specials, weekend brunch, and “night lunches,” so guests can still grab food nearby before or after the lobby gathering. Parking: The Lafayette offers valet parking for day guests when space permits. Current day valet parking is listed at $15, with cars retrieved by 1:00 AM. Street parking may also be available in the surrounding North Park neighborhood, but please plan extra time and be thoughtful of residents. Carpooling and rideshare are encouraged, especially since The Lafayette is a popular holiday-season destination. TBA ### [San Diego Network](https://alumni.ucla.edu/organizer/san-diego-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-diego-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: The Art of the Benshi 2026 In person: benshi Ichiro Kataoka, composer and pianist Makia Matsumura. Presented by the UCLA Film & Television Archive and the Yanai Initiative The UCLA Film & Television Archive and the Yanai Initiative are honored to welcome back to the Billy Wilder Theater renowned Japanese benshi Ichiro Kataoka for a weekend of live performances timed to celebrate the new release of a Flicker Alley Blu-ray box set inspired by the national Art of the Benshi tour organized by the Archive and Yanai in 2024. During the silent film era in Japan, film screenings were accompanied by live narrators, called benshi. Full-fledged artists in their own right, benshi familiarized and enlivened the cinema experience in Japan through expressive performances that illuminated and extended the emotional and thematic range of the works on screen. The art, today, is carried on by a small group of specialized performers who have been apprenticed by the preceding generations of benshi, creating a continuous lineage back to the original performers. Kataoka will be joined on stage by another veteran of the 2024 tour, composer and pianist Makia Matsumura, who will accompany his original performances with original scores. Every benshi event is a unique, live experience but this weekend’s program will be especially memorable for the North American premiere of the National Film Archive of Japan’s restoration of director Teinosuke Kinugasa’s groundbreaking, always astonishing A Page of Madness on the centennial of its original release. Programmed by Ichiro Kataoka, Michael Emmerich and Paul Malcolm. Notes written by Senior Public Programmer Paul Malcolm. Special thanks to Michael Emmerich and Elizabeth Leicester, Yanai Initiative; National Film Archive of Japan.

#Arts #MovieFilm

Part of: The Art of the Benshi 2026 In person: benshi Ichiro Kataoka, composer and pianist Makia Matsumura. Presented by the UCLA Film & Television Archive and the Yanai Initiative The UCLA Film & Television Archive and the Yanai Initiative are honored to welcome back to the Billy Wilder Theater renowned Japanese benshi Ichiro Kataoka for a weekend of live performances timed to celebrate the new release of a Flicker Alley Blu-ray box set inspired by the national Art of the Benshi tour organized by the Archive and Yanai in 2024. During the silent film era in Japan, film screenings were accompanied by live narrators, called benshi. Full-fledged artists in their own right, benshi familiarized and enlivened the cinema experience in Japan through expressive performances that illuminated and extended the emotional and thematic range of the works on screen. The art, today, is carried on by a small group of specialized performers who have been apprenticed by the preceding generations of benshi, creating a continuous lineage back to the original performers. Kataoka will be joined on stage by another veteran of the 2024 tour, composer and pianist Makia Matsumura, who will accompany his original performances with original scores. Every benshi event is a unique, live experience but this weekend’s program will be especially memorable for the North American premiere of the National Film Archive of Japan’s restoration of director Teinosuke Kinugasa’s groundbreaking, always astonishing A Page of Madness on the centennial of its original release. Programmed by Ichiro Kataoka, Michael Emmerich and Paul Malcolm. Notes written by Senior Public Programmer Paul Malcolm. Special thanks to Michael Emmerich and Elizabeth Leicester, Yanai Initiative; National Film Archive of Japan.

#Arts #MovieFilm

Part of: Dorothy Dandridge The story of Dorothy Dandridge’s career mirrors that of early 20th century Black Hollywood. She first arrived in Los Angeles with her family in the 1930s, during the Great Depression. Dorothy’s mother, Ruby, found work in radio and in small film parts, usually playing domestics. Dorothy and her sister Vivian transformed their Chitlin’ Circuit acrobatic act The Wonder Children into a singing group called The Dandridge Sisters, who were popular in nightclubs like The Cotton Club. The Dandridge family lived in the thriving Black Hollywood area around Central Street in South Los Angeles, connected to the rest of the city by streetcars known as Red Cars. In the 1940s, Dorothy lived in that same neighborhood with her husband, Harold Nicholas of the Nicholas Brothers. Dandridge later moved to a beautiful modern home in the Hollywood Hills before that area was fully integrated. She was always a pioneer, doing things first and refusing to accept the discrimination she saw around her. After she became the first Black woman to be nominated for the Best Actress Oscar for Otto Preminger’s Carmen Jones (1954), she turned down countless supporting roles or what she considered to be stereotypes. Dandridge instead chose to make European and independent films, many of which will screen on prints in this series. She wasn’t so much ahead of her time, as an uncompromising bright talent who refused to bend to a flawed and racist industry. Hollywood today is still catching up to her. Series programmed and notes written by Miriam Bale.

#Arts #MovieFilm

Part of: Archive Television Treasures In person: writer-director Reginald Hudlin, producer-director Stan Lathan, NYU Associate Professor Josslyn Luckett Presented by the UCLA Film & Television Archive and the Directors Guild of America. Made possible by the John H. Mitchell Television Programming Endowment. In a trailblazing entertainment industry career spanning over half a century, producer-director Stan Lathan continues to leave an indelible creative mark. His groundbreaking work in television began with directing the PBS public affairs and documentary series Say Brother and Black Journal, which were produced to give voice to Black communities following the assassination of Dr. Martin Luther King, Jr. Later summoned by Redd Foxx to work on Sanford and Son as one of the few Black directors in primetime television, Lathan went on to helm episodes for a wide range of hit series, from Hill Street Blues to Roc. A formidable talent, he also directed numerous pilots that launched highly successful series, including Amen and Moesha. In a career of milestones, following his theatrical feature Beat Street (1984), Lathan partnered with Russell Simmons to create Def Comedy Jam and Def Poetry Jam for HBO, the latter garnering the duo a Peabody Award. Among multiple Emmy, Grammy and Tony Awards and too many other major awards to mention, Lathan was recognized with a CINE Golden Eagle and an American Film Festival Blue Ribbon for directing the American Playhouse telefilm Go Tell It on the Mountain (1985). In perhaps the highest accolade possible, cultural titan James Baldwin publicly pronounced his love of the TV adaptation of his seminal work. Join us as we celebrate Stan Lathan with a screening of Go Tell It on the Mountain, introduced by NYU Associate Professor Josslyn Luckett. Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.

#Arts #MovieFilm

@ Bay Area Bruins is partnering with The Bill Wilson Center to support their annual Adopt a Family Holiday Gift Giving Program. We want to bring Bruins together during the holidays to give back to our local community and then share a casual no-host lunch or dinner after your volunteer shift. This activity is for adults only. The mission of The Bill Wilson Center is to improve the lives of youth, individuals, families and our local communities through housing, mental health care, supportive services and advocacy. They are a certified non-profit organization operating in Santa Clara County since 1973. Learn more: https://www.billwilsoncenter.org/ We are looking for spirited volunteers on Sat., Dec. 12, 2026 at a location in Santa Clara, CA (exact address TBD). You will help with gift sorting (and possibly tricycle building and doll house building) at a collection and distribution site. Plan to wear close-toed shoes and comfortable clothes for sorting items into bins or piles. We have two work shifts to choose from: 9am-1pm and 1pm-5pm. After your work shift, we invite Bruins to share a meal together at a local eatery, as desired. We recommend wearing UCLA shirts, hats or sweatshirts so we can easily identify each other. (We will be volunteering alongside others from the community.) Please join us in sharing the holiday spirit with others. Email Marina Lemas with questions: marina@alumni.ucla.edu. ### [UCLA Alumni Affairs](https://alumni.ucla.edu/organizer/ucla-alumni-affairs/) [View Organizer Website](https://alumni.ucla.edu/) ### [San Francisco Bay Area Network](https://alumni.ucla.edu/organizer/san-francisco-bay-area-network/) [View Organizer Website](https://alumni.ucla.edu/network/san-francisco-bay-area-network/) The exact address in Santa Clara for this event will be emailed to you 1-2 weeks in advance of the Sat., Dec. 12 event date. Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

@ Join us for a special holiday hike on the Westridge Trail to the Nike missile site at San Vicente Mountain. Wear your most outrageous holiday sweaters and festive colors, along with any other holiday swag you want to show off. The hike is approximately 7 miles with an elevation gain of 730 feet and with the option to turn around early for those who do not want to join the full hike. Please also make sure that you are prepared with appropriate footwear, sunscreen and/or a hat, and plenty of water. ### [Westside Network](https://alumni.ucla.edu/organizer/los-angeles-westside-network/) Add to calendar * Google Calendar * iCalendar * Outlook 365 * Outlook Live

Part of: Dorothy Dandridge The story of Dorothy Dandridge’s career mirrors that of early 20th century Black Hollywood. She first arrived in Los Angeles with her family in the 1930s, during the Great Depression. Dorothy’s mother, Ruby, found work in radio and in small film parts, usually playing domestics. Dorothy and her sister Vivian transformed their Chitlin’ Circuit acrobatic act The Wonder Children into a singing group called The Dandridge Sisters, who were popular in nightclubs like The Cotton Club. The Dandridge family lived in the thriving Black Hollywood area around Central Street in South Los Angeles, connected to the rest of the city by streetcars known as Red Cars. In the 1940s, Dorothy lived in that same neighborhood with her husband, Harold Nicholas of the Nicholas Brothers. Dandridge later moved to a beautiful modern home in the Hollywood Hills before that area was fully integrated. She was always a pioneer, doing things first and refusing to accept the discrimination she saw around her. After she became the first Black woman to be nominated for the Best Actress Oscar for Otto Preminger’s Carmen Jones (1954), she turned down countless supporting roles or what she considered to be stereotypes. Dandridge instead chose to make European and independent films, many of which will screen on prints in this series. She wasn’t so much ahead of her time, as an uncompromising bright talent who refused to bend to a flawed and racist industry. Hollywood today is still catching up to her. Series programmed and notes written by Miriam Bale.

#Arts #MovieFilm

In person: director Raha Shirazi. Presented by the UCLA Film & Television Archive and Farhang Foundation In this powerful documentary, director Raha Shirazi tells of the generational struggle of Iranian women to achieve basic human rights, from the suffrage movement under the Shah in the 1960s to the Women, Life, Freedom Movement sparked by the death of Mahsa Amini in 2022. While a group of high profile activists speak on camera, including Mahnaz Afkhami, Asieh Amini, Masih Alinejad and Shaparak Shajarzadeh, it’s the anonymous girls and women demonstrating in classrooms, homes, offices and on the streets, as seen in archival news footage and more recent TikTok videos, that are the film’s real focus. As each generation has evolved new strategies to advance the cause, their unwavering commitment to freedom remains an inspiring constant. Programmed and note written by Senior Public Programmer Paul Malcolm. Program generously funded by the Farhang Foundation.

#Arts #MovieFilm

Part of: Dorothy Dandridge The story of Dorothy Dandridge’s career mirrors that of early 20th century Black Hollywood. She first arrived in Los Angeles with her family in the 1930s, during the Great Depression. Dorothy’s mother, Ruby, found work in radio and in small film parts, usually playing domestics. Dorothy and her sister Vivian transformed their Chitlin’ Circuit acrobatic act The Wonder Children into a singing group called The Dandridge Sisters, who were popular in nightclubs like The Cotton Club. The Dandridge family lived in the thriving Black Hollywood area around Central Street in South Los Angeles, connected to the rest of the city by streetcars known as Red Cars. In the 1940s, Dorothy lived in that same neighborhood with her husband, Harold Nicholas of the Nicholas Brothers. Dandridge later moved to a beautiful modern home in the Hollywood Hills before that area was fully integrated. She was always a pioneer, doing things first and refusing to accept the discrimination she saw around her. After she became the first Black woman to be nominated for the Best Actress Oscar for Otto Preminger’s Carmen Jones (1954), she turned down countless supporting roles or what she considered to be stereotypes. Dandridge instead chose to make European and independent films, many of which will screen on prints in this series. She wasn’t so much ahead of her time, as an uncompromising bright talent who refused to bend to a flawed and racist industry. Hollywood today is still catching up to her. Series programmed and notes written by Miriam Bale.

#Arts #MovieFilm

Part of: Dorothy Dandridge The story of Dorothy Dandridge’s career mirrors that of early 20th century Black Hollywood. She first arrived in Los Angeles with her family in the 1930s, during the Great Depression. Dorothy’s mother, Ruby, found work in radio and in small film parts, usually playing domestics. Dorothy and her sister Vivian transformed their Chitlin’ Circuit acrobatic act The Wonder Children into a singing group called The Dandridge Sisters, who were popular in nightclubs like The Cotton Club. The Dandridge family lived in the thriving Black Hollywood area around Central Street in South Los Angeles, connected to the rest of the city by streetcars known as Red Cars. In the 1940s, Dorothy lived in that same neighborhood with her husband, Harold Nicholas of the Nicholas Brothers. Dandridge later moved to a beautiful modern home in the Hollywood Hills before that area was fully integrated. She was always a pioneer, doing things first and refusing to accept the discrimination she saw around her. After she became the first Black woman to be nominated for the Best Actress Oscar for Otto Preminger’s Carmen Jones (1954), she turned down countless supporting roles or what she considered to be stereotypes. Dandridge instead chose to make European and independent films, many of which will screen on prints in this series. She wasn’t so much ahead of her time, as an uncompromising bright talent who refused to bend to a flawed and racist industry. Hollywood today is still catching up to her. Series programmed and notes written by Miriam Bale.

#Arts #MovieFilm