Finals Week

UCLA F-1 visa students, do you want to know more about off-campus employment authorization? Join us on one of our weekly CPT webinars hosted by the Dashew Center staff to learn more!

#Undergraduate #GraduateProfessional #Educational #Career

These meetups are for people who make websites. Join us every other week, on Wednesday at 11am, to ask any questions you may have about making websites at UCLA.

#FacultyStaff #Educational #Media

Are you feeling discouraged in this job market? Join Emily Baxt ‘92, career coach and workplace consultant, as she shares strategies for developing a sense of progress and motivation in your job search. Send your questions in advance via the registration form--the second half of the hour will be spent responding to your specific challenges. In this session, you will learn: • Techniques for structuring your search and tracking progress • Ways to connect with others to maintain motivation • Perspectives on the job search in today’s market

Come hang out and meet up with other Bruins after work at Blue Oak Brewing Company. It’s the beginning of March madness so be prepared to catch some basketball in addition to enjoying the tasty beers and some great company.

Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. A Face in the Crowd U.S., 1957 “What do I get out of this?” asks Andy Griffith’s “Lonesome” Rhodes of Patricia Neil’s radio producer touring an Arkansas jail for local musical talent. In his rise to fame and influence, Rhodes’ narcissistic motivation remains the same throughout A Face in the Crowd, no matter what Everyman platitudes people project on him. Radio gets him started but television is the new medium that vaults him to the pinnacle of political power. With McCarthyism still in the air, director Elia Kazan and screenwriter Budd Schulberg pitch a darker take on populism than Frank Capra’s in Meet Doe Joe, but they still share a faith in the American public’s natural resistance to authoritarian appeals that, for all the film’s prophetic bone fides, feels naive in retrospect.—Senior Public Programmer Paul Malcolm 35mm, b&w, 126 min. Director: Elia Kazan. Screenwriter: Budd Schulberg. With: Andy Griffith, Patricia Neal, Anthony Franciosa. 35mm preservation print courtesy of the UCLA Film & Television Archive. Preserved by the UCLA Film & Television Archive with funding provided by The Film Foundation and the Hollywood Foreign Press Association. Part of: From John Doe to Lonesome Rhodes: Antifacism from the Archive

#Arts #MovieFilm